Tuesday, May 13, 2014

MB&F – Legacy Machine No. LM101














MB&FLegacy Machine No. LM101


For a classically sized 40mm wristwatch, Legacy Machine 101 (LM101) covers a lot of ground. Or to be more precise, LM101 covers a lot of time: over 100 years between inspiration and realisation. Legacy Machine 101 embodies and accentuates the very essence of what is essential in a wristwatch: the balance wheel, which is responsible for regulating precision; how much power remains in the mainspring, which indicates when it needs to be next wound; and of course, the time. LM101 has one more very special feature, one that cannot be seen: it houses the very first\ movement developed entirely in-house by MB&F. Visually, LM101 is dominated by the monumental suspended balance wheel, its sedate oscillations drawing the eye ever closer. Two pristine-white subdials hover just above the fine sunray-engraved movement top plate: At the top right, highly legible hours and minutes are displayed by beautiful blued-gold hands contrasting against the immaculate white, while the 45-hour power reserve indicator is displayed in a smaller, but similar subdial below. In an apparent feat of magic, the sapphire crystal protecting the dial appears to be invisible; creating the illusion that you can reach out and touch the prodigious balance wheel hanging mesmerisingly from elegant twin arches. The arches are milled from a solid block of metal and require more than five hours of hand polishing to achieve their mirror-like lustre.

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Turning over Legacy Machine 101, the display back crystal – domed to reduce the thickness of the caseband and, visually, the height of the watch – reveals the exquisitely handfinished movement. Sensually curved plates and bridges pay homage to the style found in high quality historic pocket watches and testify to the respect accorded to historical legitimacy. With its undulating Geneva waves, hand polished bevels, gold chatons and countersunk blued screws, the beauty of LM101’s movement doesn’t just stay faithful to a bygone era. It also heralds the dawn of a new epoch as it is the first MB&F calibre to be entirely conceived and designed in-house. While award-winning independent watchmaker Kari Voutilainen took responsibility for the movement’s fines finishing and fidelity to the horological past, its architecture and construction are 100% pure MB&F.

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While the movement of Legacy Machine 101 is superficially similar to that of Legacy Machine No.1, closer examination reveals that it is an entirely new calibre. It is not merely a scaled down version of LM1’s movement, but an entirely new calibre conceived and developed inhouse by MB&F. The balance wheel and spring are at the very heart of any mechanical watch movement and their isochronal (equal intervals of time) oscillations regulate the movement’s precision. Büsser has long been fascinated by the large slowly oscillating – 2.5 Hz/18,000 vph compared with the much faster 4 Hz/ 28,800 vph more common today – balance wheels of antique pocket watches.

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So it was no surprise that this was his starting point. What was surprising though is just how radically he re-interpreted tradition by relocating the balance wheel from its more usual position hidden at the back of the movement to majestically floating not just the above movement but high above the dial.
While the location of LM101’s oscillator may be considered avant-garde, ‘tradition’ is upheld by the large 14mm diameter balance wheel, featuring regulating screws specifically developed for MB&F, balance spring with Breguet overcoil and mobile stud holder. And if you thought that the balance wheel looks impressive in Legacy Machine No.1, it looks even larger in the smaller diameter setting of LM101.

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While the animated suspended balance visually dominates LM101, the immaculate white dials for the time (hours and minutes) and power reserve indications are both aesthetically appealing and highly legible thanks to the high contrasting blue hands. Complementing the three-dimensionality of the balance floating in space, the white dials with their bright blued-gold hands float just above the top of the movement. The dials are gently domed with a translucent, high-gloss lustre created using a laque tendue process in which multiple layers of lacquer are applied and heated, causing them to stretch over the surface of the dials. To ensure aesthetic purity of the dials, a sophisticated fixation underneath removes the necessity of visually obtrusive attachment screws. A fine golden perimeter circumscribing each dial elegantly reinforces their timeless classicism.

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While the movement was developed entirely in-house, acclaimed master watchmaker Kari Voutilainen assumed responsibility for ensuring the movement’s historical accuracy of the bridge design and fine finishing. A finely engraved sun-ray pattern on top of the movement plate (dial side) subtly catches the eye at certain angles without distracting attention from the white dials of the time and power reserve indications and suspended floating balance. But it is in the style and finish of the bridges and plates visible through the display on the back of the movement where Kari Voutilainen has excelled in providing exquisite historical fidelity in both the shape of elegantly curved bridges and the traditionally wide space between the bridges and between the perimeter of the bridges and the case.

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On the back of the movement, over-sized ruby jewels set in highly-polished countersunk gold chatons provide striking visual counterpoints to the Geneva waves traversing the sensually curved bridges. While providing historical links with the large jewels seen in highgrade antique pocket watch movements, the ruby bearings have a practical application in reducing wear/increasing longevity by accommodating large diameter pinions and holding more lubricating oil.

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MB&F’s Legacy Machines were conceived when Maximilian Büsser started fantasising: “What would have happened if I had been born in 1867 instead of 1967? In the early 1900s the first wristwatches appear and I would want to create three-dimensional machines for the wrist. There are no Grendizers, Star Wars or fighter jets for my inspiration but I do have pocket watches, the Eiffel Tower and Jules Verne. So what might my early 20th century machines look like? They had to be round (tradition) and three-dimensional (MB&F Machine): Legacy Machines are the answer.” Maximilian Büsser has had a long affinity with pocket watches of the 18th and 19th centuries. Virtually all horological complications we see today were not only imagined in that period, they were developed using just paper and pen (no sophisticated computer programs), components were produced to extremely high precision using – by today’s standards – fairly primitive machines (no electricity) and finely finished, assembled and regulated to an incredibly high quality that we still strive to match today. Their generous size compared with modern wristwatches allowed for uncluttered movement architectures with beautifully shaped bridges and plates.
While MB&F’s futuristic Horological Machines have a firm foundation in the very best of traditional horology, Büsser wanted to pay homage to that rich tradition by imagining the type of timepiece he might create if he had been born a 100 years earlier. With its large, sedately oscillating balance, domed dials, historical bridge design and classical fine-finishing, Legacy Machines are the very contemporary, yet traditionally elegant fruition of that dream. Legacy Machine No.1 (LM1) was the first piece in the Legacy collection; LM101 takes the traditional theme even further in offering a more classically sized 40mm case compared to 44mm for LM1.

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The projects that gave Maximilian Büsser the most pleasure and personal satisfaction during his 15 years managing prestigious watch brands were those working with talented independent watchmakers. An idea for his own personal utopia emerged: that of creating a company dedicated solely to designing and crafting small series of radical concept watches in collaboration with talented professionals he both respected and enjoyed working with. The entrepreneur in Büsser brought the idea to reality. MB&F is not a watch brand, it is an artistic and micro-engineering concept laboratory in which collectives of independent horological professionals are assembled each year to design and craft radical Horological Machines. Respecting tradition without being shackled by it enables MB&F to act as a catalyst in fusing traditional, high-quality watchmaking with cutting-edge technology and avant-garde three-dimensional sculpture.
In 2007, MB&F unveiled their first Horological Machine, its sculptured, three-dimensional case and beautifully finished Engine setting the standard for the idiosyncratic Machines that followed – Machines that tell the time, rather than Machines to tell the time. In 2011, MB&F launched their round-cased Legacy Machine collection. These more classical pieces (classical for MB&F that is) pay tribute to 19th century watchmaking excellence by reinterpreting complications from the great horological innovators to create contemporary objets d’art. Each year, MB&F alternate between launching an exciting new Horological Machine and an historically-inspired Legacy Machine.

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Maximilian Büsser was born in Milan, Italy, before moving at an early age to Lausanne, Switzerland where he spent his youth. Growing up in a multi-cultural environment and family – his father was a Swiss diplomat who met his mother, an Indian national, in Mumbai – led Büsser to develop a cross-cultural, broad-based approach to life and to business. In July 2005, at the age of 38, Büsser created the world’s first horological concept brand: MB&F (Maximilian Büsser & Friends), in which he is now partnered with Serge Kriknoff. Büsser’s dream with MB&F is to have his own brand dedicated to developing radical horological concepts by working in small, hyper-creative groups composed of people he enjoys working with. Entrepreneurship is Maximilian Büsser’s forte. In 1998, when only 31, he was appointed Managing Director of Harry Winston Rare Timepieces in Geneva. During his seven years there Büsser developed the company into a fully-fledged and well-respected haute horlogerie brand by developing the strategy, products, marketing and worldwide distribution, whilst integrating design, R&D and manufacturing in house. The results were a 900% increase in turnover and the positioning of Harry Winston as one of the leaders in this very competitive segment.


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Maximilian Büsser’s love for high-end horology was nurtured by his first employer, Jaeger-LeCoultre. During his seven years in the senior management team during the 1990s, JLC strongly increased its profile and multiplied its turnover by a factor of ten. Büsser’s responsibilities at Jaeger LeCoultre ranged from Product Management & Development to Sales & Marketing for Europe. Büsser graduated in 1991 with a Masters in Microtechnology Engineering from the Swiss Federal Institute of Technology, Lausanne.

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TECHNICAL SPECIFICATIONS

Engine (Movement)
Three-dimensional horological movement developed in-house by MB&F
Aesthetical design and finish specifications: Kari Voutilainen
Manual winding with single mainspring barrel
Power reserve: 45 hours
Balance wheel: Bespoke 14mm balance wheel with four traditional regulating screws
floating above the movement and dials
Balance spring: traditional Breguet curve terminating in mobile stud holder
Balance frequency: 18,000bph/2.5Hz
Number of components: 229 components
Number of jewels: 23
Chatons: gold chatons with polished countersinks
Fine finishing: superlative hand finishing throughout respecting 19th century style; internal
bevel angles highlighting hand craft; polished bevels; Geneva waves;
hand-made engravings
Functions
Hours, minutes and power reserve indicator.
Large suspended balance wheel over dial
Case
Available in 18k red gold or 18k white gold
Dimensions: 40mm wide x 16mm high
Number of components: 35
Sapphire crystals: High domed sapphire crystal on top and box sapphire crystal on back, both with
anti-reflective coating on both sides.
Strap & Buckle

Black or brown hand-stitched alligator strap with gold tang buckle to match case

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