Saturday, April 15, 2023

SIMON BRETTE – Chronometre Artisans Subscription Edition

SIMON BRETTEChronomètre Artisans Subscription Zirconium Edition 2023

 An Ode to Artisanal Watchmaking

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Geneva, April 12th, 2023: Independent watchmaker and movement designer Simon Brette presents his first timepiece, the Chronomètre Artisans.

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Simon Brette’s Chronomètre Artisans Subscription Edition features a distinctive design, in-house chronometer movement, and highlights superlative independent artisanship.

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More than just a nascent brand, Simon Brette’s endeavour is one of human values. It is about offering artisans elevating their crafts to the highest artistic levels the opportunity of working on projects in which they have a say in the outcome and can be genuinely proud of their contribution.

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Putting his years of experience in developing and fine-tuning some of the most exceptional watch movements of our era for well-known brands, with the Chronomètre Artisans, Simon Brette has created a platform in which independent artisans have rediscovered and reinterpreted older fabrication and finishing techniques – and developed new ones. Representing the absolute best in their respective crafts, these craftsmen and craftswomen have contributed to a project while enjoying their work and taking pride in the results.

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At its core, Chronomètre Artisans is a dialogue between Simon Brette, the movement designer responsible for conceiving and developing the timepiece, with the artisans and watchmakers who bring their invaluable know-how and craft. Free from the pressure of high production volumes, those involved had the time to ensure that every component is crafted without compromise.

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Simon and his partners are creating watches at the highest level of artistic expression, and the Chronomètre Artisans is the first in this collaborative effort which will build a solid foundation.

Design

Chronomètre Artisans: A New Expression of Neo-Classical Watchmaking

With the Chronomètre Artisans, Simon Brette has developed a highly original, easily recognizable, and evidently hand-finished timepiece focusing on the essentials: hours, minutes and seconds. It is in the design and execution that Simon expressed his aesthetic sensibilities and allows the work of all the artisans involved to stand out spectacularly.

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While his past experiences have taught him that technical features come before aesthetics and design, the Chronomètre Artisans has taken the reverse approach, first focusing on the design and then tailoring the movement to suit. Starting from a completely blank slate, the objective from the outset was to avoid using any pre-existing components in order to build everything from scratch.

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For the Chronomètre Artisans, Simon Brette did not restrict himself to one watchmaker or a particular period of watchmaking, but rather specific creations and singular elements that have long stood out to him as exceptional. Among the many pieces that have fascinated him are the original pocket watches by Urban Jurgensen and his descendants, the emblematic Three Golden Bridges pocket watches by Girard-Perregaux and many others.

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But beyond historic timepieces, it is the technical prowess and ingenuity of 20th century watchmakers such as George Daniels and Derek Pratt that inspire Simon Brette. His ideal watch would be a miniaturized pocket watch with optimized mechanisms and decorated in the most beautiful way possible, while also incorporating a pronounced contemporary edge.

And that’s precisely what he set out to create with his debut timepiece, the Chronomètre Artisans.
 

Mechanics

Calibre SBCA, a Contemporary Chronometer Movement

Simon Brette began designing his first watch from the inside out, starting with the movement. Conceived as a classical chronometer, Simon opted for a visually pure and symmetrical construction with a large prominent balance wheel. Held by a single straight rounded bridge crafted in non-magnetic grade 5 titanium, the large balance wheel beats at a traditional rate of 2.5 Hz, similar to historical marine chronometers that used a large diameter/high inertia balance wheel coupled to a low beat rate. All the steel parts adjacent to the balance wheel are crafted in Phynox, a non-magnetic steel alloy.

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The balance wheel of the Chronomètre Artisans is fitted with a hairspring featuring a Breguet overcoil and adjustable inertia blocks for fine adjustment of the poise, serving to slightly increase or decrease the frequency and amplitude at which the balance oscillates.

For precise time-setting, the movement features a stop-second mechanism in the form of a single flexible “S”-shaped arm, which engages via a sliding pinion to contact the balance wheel rim in order to stop it from oscillating while the time is set.

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To offer a unobstructed view of the balance wheel, the third and fourth wheels are lowered to the dial side. The mirror-polished escape wheel and pallet lever feature a completely new design with counter-pivots. These are positioned to enable a watchmaker access without having to remove the balance wheel.

Exuding more contemporary tones, the three-quarter bridge is decorated with a grained texture and finished in an anthracite ruthenium tone. When fully wound, main-spring barrels, having mirror-polished concave surfaces, deliver a healthy 3-day power reserve. In a nod to chronometers from the golden era of watchmaking, the ratchet and crown wheel feature “wolf teeth” gearing.

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The winding mechanism of the Chronomètre Artisans is a technical highlight that can be seen, heard and felt. Using an innovative system that Simon developed while he was studying engineering, the click is a contemporary and pragmatic solution to a rarely revisited component. This innovative click replaces the multiple components usually found in conventional movements.

The Chronomètre Artisans' click is both more robust and reliable compared to a conventional click as it also provides a much more responsive feel when winding the movement. A compliant monolithic mechanism integrated in the crown wheel, the winding mechanism further enhances the symmetrical aspect of the movement. 

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The crown wheel is one of the most complex components to produce in the Chronomètre Artisans' movement and was developed from a deep understanding of micromechanics. It comprises three different types of gear-cutting: wolf teeth in connection with the ratchet wheels, vertical teeth which engage the winding pinion, and internal teeth ensuring the paw meshes which engage in only one direction during winding.

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Perhaps the most visually distinctive components found throughout the Chronomètre Artisans are the amazing screws. Simon wanted to give these screws his personal touch, so the surfaces were deeply concave and then mirror polished to perfection. 

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This provides visual depth because, from a distance, the heads look domed rather than concave. The movement’s screws are fixed into solid gold chatons, providing visual contrast and emphasising the three dimensionality of the movement.

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The rest of the movement is similarly superlative in execution, where one can admire the impeccable finishing and attention to detail in both the form and execution of the myriad of components. The finely hand-chamfered and polished edges of the three-quarter and individual titanium bridges have all been entirely mirror-polished, as well as the edges of the gear spokes and inner rims, the chatons, and even the pinions. 

Face

Dial Harmony Through Open Asymmetry

While the Chronomètre Artisan’s movement has been constructed with symmetry in mind, the dial takes another direction entirely. Partially open, the dial reveals a balanced interplay between tradition and modernity. Familiar forms seamlessly merge with completely original shapes creating a sense of volume and depth. Asymmetrical yet balanced, the dial features two distinct openings to reveal kinetic parts of the movement and highlight its complexity.

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On the left side of the dial, an opening reveals the third and fourth wheels, which are supported by two parallel titanium bridges with rounded and mirror-polished surfaces. The motion of the seconds hand is accompanied by a clear view of the gearing that drives it in an endless kinetic flow.

The small flame-blued steel seconds hand is placed on the same plane as the dial, minimizing the parallax effect. This provides an optimal reading of the seconds against its frosted sapphire sub-dial, regardless of the viewing angle. To further optimize readability, contrast is enhanced through different colours and decoration techniques of the main plate, titanium bridge, and gearing.

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The right side of the dial features a smaller opening in which one can admire the ingenious and lavishly finished time-setting mechanism, shifting as the system toggles between winding and time-setting positions. Ingeniously conceived, three springs make up a single mechanism, effectively carrying out multiple functions.

Often an overlooked part of the movement’s overall aesthetic, these springs are mirror-polished with chamfered edges and sharp internal angles, which are further embellished with concave mirror polished screws fixed in gold chatons.

The dial is crafted in solid red (5N) gold and embellished with a unique dial decoration technique that will be exclusive to the Chronomètre Artisans Subscription Edition.

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Scintillating with a three-dimensional mosaic structure, the exceptional finish of the dial has been dubbed “dragon scales”. This lustrous dial is the result of integrating exceptionally talented artisans early in the creative process. Far more than just third-party suppliers, these craftsmen have stretched the boundaries of their creativity to produce something truly unprecedented.

Further adding to the sense of visual depth and lending a contemporary accent to the dial, the chapter ring with its minute markers is crafted in translucent sapphire crystal with a frosted finish ensuring high legibility with minimum glare. The raised sapphire ring is surrounded by a silvery opaline ring on which the Arabic numeral five-minute markers are pad printed.

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The central hour hand is inspired by the Urban Jurgensen observatory” hand designed by Derek Pratt, here reinterpreted with an interior angle in the pointed tip. Rounded, flame-blued and polished by hand, the upper surface of the steel hand’s open portion is mirror-polished, seemingly disappearing and reappearing as it moves with the light.

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Perfectly proportioned with the other elements on the dial, the opening of the hour hand passes precisely above the seconds hand’s pinion as well as the main screw of the crown mechanism. The slender blued steel minute hand features a downward-facing curve at the tip, emphasizing the dial's volume while making precise and effortless reading of the minutes.

Ergonomics

A Zirconium Case for the Subscription Edition

Once the movement and dial had been designed and their proportions established, Simon began working on the case. He focused on proportions and ergonomics, while also maintaining coherence in design, extending from the movement to the dial and finally the case.

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Measuring 39 mm wide and 10 mm high (including the domed sapphire crystal), the case is surprisingly compact for a watch with such tremendous depth. The Chronomètre Artisans Subscription Edition is exceptionally crafted in a lightweight yet durable and highly corrosion-resistant zirconium alloy. Traditional metal alloys will be used in the production series.

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In keeping with the concave surfaces of the screw-heads, this signature trait carries to the components of the watch that the wearer will interact with: the case and crown. The slightly oversized and easily gripped crown features the same polished concave form as the screws, while the case’s combination of satin-brushed surfaces and concave polished bevels complete the coherent exceptional finishing of this modern chronometer.

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The case consists of three distinct parts, but there are no visible screws so it offers a seamless and monolithic appearance. The lugs are invisibly screwed to the inner case from the inside. The bezel and case back are then screwed to the midcase. This type of practical construction both accommodates the use of different materials and enables the case to be finished to the same degree as the movement and dial.
The tapered lugs are unusual in that they feature two sets of holes that accommodate either curved or straight spring bars, each offering a different look and feel for the strap on the wrist.

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The Chronomètre Artisans is delivered with two straps in textured calfskin and a folding clasp, as well as a tang buckle for personalized comfort.

As the finishing touch to his first creation, Simon has incorporated a little sentimental signature on the case. On the left side, a small, polished element shaped like a dovetail subtly protrudes – exceptionally crafted in rose gold for the subscription series. The dovetail is a joint Simon often saw in his father’s carpentry work, and on the Chronomètre Artisans, it serves as a tribute to his father, who inspired him to pursue a life dedicated to independence and excellence while also being a symbol of the craftsmanship that he seeks to defend and cultivate.

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With the Chronomètre Artisans, Simon Brette is writing the first chapter of his self-titled adventure. His convictions and the role of his fellow artisans are intentionally evident from the onset. This three-hand timepiece embodies and establishes many of the codes that will carry on to future creations, heralding a new era of artisan-centric watchmaking.

The 12-piece Chronomètre Artisans Subscription Edition has already sold out. The Chronomètre Artisans production edition will be launched at the end of the year.

Teamwork

The artisans behind the Chronomètre Artisans

They have been carefully selected for their unrivalled talent, their limitless creativity and their rare meticulousness; exceptional craftsmen and craftswomen in constant pursuit of perfection.

 
⦁    Matthieu Allègre ― Watchmaking Designer
⦁    Yasmina Anti ― Hand engraver
⦁    Marc Bolis and Alyna Rouelle ― Micromechanical machining
⦁    Barbara Coyon ― Watchmaking Decorator
⦁    Pierre-Alain Dornier & Cie ― High-precision machining
⦁    Julien Ducommun & Cie ― Manufacturing, micromechanics and machining
⦁    Damien Genillard ― Surface Finisher
⦁    Nadine Görgl ― Hairspring regulator specialist
⦁    Alexis Greco & Cie ― Watchmaking Decorator
⦁    Nathalie Jean-Louis ― Watchmaking Decorator
⦁    Luc Monnet ― Prototypist Watchmaker, Art Mechanic
⦁    Anton Pettersson ― Prototypist Watchmaker, Art Mechanic

Founder

About Simon Brette: A Destiny of Independence

Simon Brette’s sense of entrepreneurship and independence runs in the family. As far back as he can remember, Simon’s parents and his siblings led their lives in pursuit of their convictions and passions rather than comfort and stability, often taking the riskier and less traveled road rather than enjoying the comforts of a more monotonous life.
Born and raised in Auvergne, a historical mountainous region in central France, Simon’s father was a carpenter who hand-crafted unique pieces to his own designs. From watching the pleasure and pride his father took in his work, as well as the challenges he faced as an independent craftsman, little did Simon realize at the time that it would become one of his greatest sources of inspiration.
After completing his studies to become an engineer in 2011, Simon joined renowned watchmaker Jean-François Mojon’s movement conception and development company Chronode, where he spent years as a technical constructor working on some of the most ground-breaking calibres in contemporary watchmaking.
Simon later went on to join the avant-garde watch brand MCT as a project manager responsible for bringing the brand’s unprecedented time display concepts to reality. Finally, Simon joined MB&F as Development Project Manager, where he was responsible for the management and implementation of movement concepts from R&D to production.
After the birth of his daughter in June 2021, Simon decided to embark on a new chapter in his career, where his convictions about artisanship and human values in watchmaking could be expressed in a collaborative horological project. Chronomètre Artisans Souscription Edition bares the project's first fruit.

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TECHNICAL SPECIFICATIONS

Model:  Chronomètre Artisans Souscription Edition

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CASE
ARCHITECTURE

• Caseband with embedded gold brancards, screwed bezel and caseback.
MATERIAL   • Zirconium
DIMENSIONS
• Diameter: 39.00 mm
• Height: 10.50 mm
• Total length: 45.00 mm
• Distance between lugs: 20.00 mm
CRYSTAL
• Sapphire crystal with anti-refection treatments above and below crystal to minimise scratches.
WATER RESISTANCE • Water resistant to 30 meters
DISPLAY
DIAL
• Red gold
• Hand engraved
• Top face circular grained
• Hand polished anglage and straight grained flanks
HANDS
• Flame blued steel
• Top face mirror polished
• Rounded and hand polished anglage
MOVEMENT
• Manual winding: 45 rotations of crown
• Ruthenium treated: 24 rubies
DIMENSIONS
• Diameter: 33.30 mm
• Casing diameter: 32.70 mm
• Overall height: 7.80 mm
• Height of winding stem: 3.00 mm
• Diameter of winding stem: S1.20 mm 
BALANCE
• Variable inertia balance with adjustment weights
• Hairspring with Breguet overcoil
• Adjustable stud holder
• Free sprung balance
• Greiner collet
• Geneva style stud
• Frequency: 18'000 a/h (2.5 Hz)
• Inertia: 40 mg/cm²
• Lift angle: 52°
AMPLITUDE
• 0 h flat: 310°
• 24 h flat: 280°
FEATURES
• Manuel winding
• 2 barrels in parallel
• Two-position winding stem (winding and setting)
• Time setting in position 2
• Escapement anchor ‘coudée’, 15 dents
INDICATIONS
• Central hours and minutes
• Small seconds at 9:15 o’clock
POWER RESERVE 72hours (±5 hours)
DECORATION
• Haute horlogerie
• Mainplate and bridges featuring hand finished graining and anglage
• Concave screw heads mirror polished and set in gold chatons
• Pins and screws with mirror polished convex heads
• Wheels with flat teeth, hand polished anglage and hand polished faces
• Steel components mirror polished
NUMBER OF PIECES
• Movement without dial: 194
• Cased with strap: 226
TECHNICAL SPECIFICATIONS
Hand wound mechanical movement, 33.30 mm
diameter x 7.80 mm high, 2.5 Hz/18’000 a/h, large diameter balance wheel with visible gearing.
Mainplate and bridges in ruthenium treated brass, wheels and chatons in red gold.

🔰 Edition of ✅only ❱❱❱ 12 pieces

⚠️Already sold-out.
Production edition will be launched at the end of the year

🔴 Price: in excess of  CHF 50,000 💰

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Contact
Simon Brette
Owner & CEO

Mobile: +41 79 600 17 60
Office: +41 22 342 48 20
sb@simonbrette.com

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Friday, April 14, 2023

LOUIS MOINET – TIME TO RACE Titanium Chronograph Edition

 

LOUIS MOINETMechanical Wonders TIME TO RACE Titanium Chronograph Unique Edition 2023

 “A collector’s item must be unique by definition.
There could never be two identical TIME TO RACE timepieces.”
Jean-Marie Schaller, CEO & Creative Director

Unique personnalisation

TIME TO RACE is not a limited series, but rather a collection of unique pieces. This means that the collectors will be able to personalise their watches individually by choosing a number – that is, their lucky number made up one or two numerals. 

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 It will be displayed at the front of the watch together with a colour code. In other words, when you acquire a TIME TO RACE, you will be sure you have a watch that was made for you, exclusively.

SILVER WINNER | A tribute to the pioneers

This year, we have added a new and unique model called Silver Winner to the three iconic colours from the world of motorsport, which are Racing Green, Rosso Corsa and Bleu de France. 

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These colours have been specifically selected because they represent the most legendary cars. National colours were assigned from the very first car races until the end of the 1960s. This tradition endures to this day in the collective imagination. The Silver Winner creation comes with a silver tint and a red number. It evokes German racing cars.

ORANGE PAPAYA | The captivating inspiration from hypercars

The TIME TO RACE models use vibrant and eye-catching colours. The latest creation, Orange Papaya, features bright orange with a blue number that recalls speed and performance, complementing the famous Lime Green, a tangy green that exudes power and sportiness. 

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These two new hues give each TIME TO RACE piece a distinctive, contemporary note inspired by the dynamic and edgy aesthetics of hypercars.

The true destiny of the chronograph

Of all the complications, the chronograph is the most useful one in the modern world. In sports, the chronograph is the final judge. It determines which driver has completed the lap fastest. 

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The TIME TO RACE collection thrusts itself into this realm of gentleman drivers and also embodies the beauty of motorsport, that unique feeling of man and machine fusing.

A powerful creation and a new spectacle

The complex chronograph mechanism is fully visible on the dial side and appears in a new light. One reason is that the domed sapphire crystal, which extends beyond the case, was purposely chosen to reveal more of the timepiece. Gazing at it in profile reveals a spectacle never seen before.

The racing spirit

Exploring aerodynamics for the TIME TO RACE lines has produced a style that expresses the spirit of competition.

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The domed sapphire crystal was developed specially to highlight the column wheel mechanism. It’s an ingenious and novel concept that resulted in a new kind of flange, one that is no longer connected with the sapphire crystal. It also allowed us to combine two different readings for the chronograph seconds hand, namely a tachymetric scale and the sixty seconds display.

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The production of the bi-material flange is complex and made from a novel material. It owes its radiance to the intense colour present in its lower quarter of the flange.
In fact, it is at night that the TIME TO RACE watches reveal their ultimate secret: a luminescent display of measurement indices made possible by a unique technology. The original colours are applied using pad printing and have a flat, matt appearance. It’s a very complex, artisanal process and is used exclusively for exceptional timepieces.

Finally, the flange rests atop a woven carbon fibre plate that gives the 147 components of the chronograph mechanism their due value. It also offers the necessary contrast for reading the chronograph, which is done by the large, coloured hand and by one of the two fumé subdials. 

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Hours and minutes are read off a subdial set at 6 o'clock, which acts as the watch’s core conceptual element. It displays the owner’s lucky number painted on a white background with a high-polish finish and surrounded by a metal ring reminiscent of the cylinder bores common in motorsport.

The case weighs a mere eighteen grams. It is machined from Grade 5 titanium, then polished and given a satin finish. It recalls that long quest for minimising weight, because when a watch is worn on the wrist, lower weight means more fusion. And this fusion is also reinforced by a strap that was designed to be the perfect extension of the case.

The lines of the case are fluid and tightly drawn. The one flank features a new crown support. The lugs have been openworked and are subtly arched and satin-finished, highlighting the integration of the bracelet.

A powerful mechanism

The chronograph offers the greatest interaction with the wearer. The TIME TO RACE family increases the viewing pleasure tenfold, as the chronograph has been laid bare for all to see. One smooth push on the single push-button prompts a unique choreography that unfolds before your very eyes. The mechanism’s rockers, clutch, hammers, column wheel, springs, and wheels interreact with each other to ultimately set off the chronograph and measure time.

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TECHNICAL SPECIFICATIONS

Collection: Mechanical Wonders Unique Edition

Model:  TIME TO RACE Edition

Exclusively single-piece editions

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Ref.  LM-96.20.8A - Silver Winner / Ref.  LM-96.20.8O - Orange Papaya

Each unique timepiece associates a particular number with these colours offered:

  • Pioniers :  Silver Winner (2023) | Rosso Corsa |Bleu de France |Green Racing
  • Hypercars : Orange Papaya (2023) | Lime Green
CASE
Material: Grade 5 titanium | Polished and satin-brushed
Glasses: Box-type sapphire crystal | Glareproofed on both sides
Single pusher “Clous de Paris" hobnail pattern
Diameter 40.7 mm 
Water resistance 50 metres
DIAL
Hours/minutes
Colour: white background and black shiny-polished numerals
Outer ring: rhodium-plated, circular satin-finished
Hands: rhodium-plated & faceted
Counters: Translucent material with white luminescent transfer
Hands Satin black PVD | Coloured Super-LumiNova TM
Inner bezel ring:
Dual display: tachymeter scale and 60 seconds | White luminescent transfer | Bi-material with a circular satin finish
MOVEMENT
Manufacture Louis Moinet
Calibre LM96
Functions Hours | Minutes | Seconds | 60-second & 30-minute chronograph counters
Complication: Single-pusher column-wheel chronograph
Type: Self-winding mechanism | balance with screws
Oscillating weight:
Bi-material | 6 ball bearings | Adorned with concentric "Clous de Paris" hobnail pattern, "Fleur de Lys”
Finishes on the upper side:
Mainplate: carbon fibre
Steel parts: straight-grained and chamfered
Gear trains: circular satin-finished
Finishes on the underside:
“Côtes de Genève” hobnail pattern, polished edges
Diamond-polished sinks
Components 311
Oscillations 28,800 vibrations per hour
Frequency 4 Hz

Jewels 30
Power reserve 48
hours
STRAP
Material Preformed rubber
Clasp: Triple-blade folding clasp | Steel with black PVD finish | Fine adjustment |Curved
"Fleur de Lys"

🔰 Limited Edition - Exclusively single-piece editions

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Press Release - 2023
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