URWERK – UR-150 Golden Scorpion Edition

URWERK – UR-SATELLIT UR-150 Golden SCORPION Limited Edition - 2026

A radiant material dedicated to time in motion

URWERK unveils a new interpretation of the UR-150. And in this edition, yellow gold has taken control!

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 Clad in the queen of precious metals – timeless by nature, yet entirely unexpected on such a technical creation – the UR-150 reveals another side of its character: less armour, more sculpture; more precious object than machine. The UR-150 Golden Scorpion does not seek to soften URWERK’s mechanics. It illuminates their lines and volumes with an intensity never seen before.

YELLOW GOLD, REIMAGINED. 

Since 1997, URWERK has been exploring new ways of reading and experiencing time. Not through the circular language inherited from classical watchmaking, but through an orbital, mobile and intuitive progression. With the UR-150, this vision achieves a new degree of kinetic maturity. Three-hour satellites rotate on a central flying carousel, while a retrograde hand tracks the minutes across a 240-degree arc before snapping back to its starting point in one hundredth of a second.

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In its Golden Scorpion outfit, this movement acquires an entirely different character. Yellow gold introduces a particular tension into the architecture. The most traditional of precious metals is set against a radical construction: taut, ergonomic and shaped by sweeping curves interrupted by sharply defined breaks.

The case retains the unmistakable presence of the UR-150, yet light transforms the way it is perceived. Its surfaces capture, absorb and intensify the radiance of the gold, revealing both the density of the case and the fluidity of its lines.

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Within the traditional vocabulary of watchmaking, yellow gold often speaks of heritage, transmission and permanence. On the UR-150, it assumes a different role. Rather than anchoring the watch in the past, it amplifies its contemporary character.

“I never design a watch as a static object,” explains Martin Frei, Chief Designer and co-founder of URWERK. “I seek to create a form that changes with the angle, the light and the movement of the wrist. With the Golden Scorpion, yellow gold behaves almost like an optical material. It reveals certain lines, makes others disappear and constantly renews the perception of the watch. Depending on how it is viewed, it can appear compact, fluid or almost organic. That visual instability is what interests me: the object remains the same, yet it never presents itself in quite the same way.”

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The radiance of yellow gold interacts with the depth of the display, the path of the hand and the rotation of the satellites. It gives the case a vivid, almost animate beauty, as though the material itself were making visible the energy contained within the mechanism. The UR-150 Golden Scorpion confirms one simple truth: gold elevates everything it touches.

TIME UNDER TENSION.

At the heart of this creation beats the automatic UR-50.01 calibre. Designed to orchestrate in unison the satellite display and retrograde minutes, the movement comprises  38 jewels, beats at a frequency of 4 Hz and delivers a 43-hour power reserve.

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It is one of the most ambitious mechanisms ever conceived by URWERK. Its construction relies on a discreet but decisive technical feat: a cam-and-rack system, coupled with a speed regulator more commonly associated with minute repeaters, replaces the conventional Maltese cross mechanism.

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This architecture synchronises the progression of the satellites with the lightning-fast return of the retrograde hand. Together, they create a display that remains in a state of permanent mechanical tension. Its construction captures the essence of URWERK’s approach to watchmaking: immediately legible in its intention, uncompromising in its execution, spectacular in its effect and deeply complex beneath the surface.

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“What interests me in a watch is not only what it indicates, but what it provokes,” says Felix Baumgartner, master watchmaker and co-founder of URWERK. “A true creation must have presence, energy and almost a character of its own. That is exactly what the Golden Scorpion possesses. Its name alone suggests a strong, almost aggressive personality. That force is reflected in the kinetics we have created, in the constant tension between the trajectory of the satellites and the lightning return of the retrograde hand. The UR-150 always appears poised and alert, ready to strike.”

==========================
TECHNICAL SPECIFICATIONS

Collection: UR-SATELLIT

Model:  UR-150 Golden SCORPION Edition

 

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MOVEMENT
Caliber: UR-50.01 with automatic winding system governed by a double turbine 
Jewels: 38
Escapement: Swiss lever
Frequency: 28,800 vph - 4Hz
Power reserve: 43 hours
Materials: Aluminium satellite hours
Brass flying carousel, finely sandblasted and microbead-blasted, with 3N gold PVD coating
Aluminium retrograde hand, finely sandblasted and satin-finished
Wheels manufactured using LIGA technology
Brass rotor, sandblasted and circular-grained, with 3N gold PVD coating
Finishes  Grade 5 titanium screw heads, flat-polished
Hour and minute markers, flying carousel and counterweight hand-painted with Super-LumiNova®
INDICATIONS
Satellite hourshours.
Retrograde minutes indication over a 240° arc
CASE
Material: 2N yellow gold case middle, sandblasted, microbead-blasted and satin-finished across the upper
surface and flanks. 2N yellow gold crown, sandblasted, satin-finished.
Grade 5 titanium caseback, black PVD, sandblasted.
Dimensions:Width:42.50mm x length: 51.00mm x thickness: 14.80mm
Glass: Domed sapphire crystal
Water resistance: Screw-lock crown.
Pressure tested at 5 ATM (50m)
STRAP
Adjustable high-performance hybrid rubber strap with folding clasp

🔰Edition ✅Only ❱❱❱ 25 Pieces
🔴PRICE:   CHF 105, 000.00 (excluding. tax)💰

 ---------------------------------
Press Release - 2026
--------------------------------------------
Media contact:
Ms Yacine Sar
Telephone: +41 22 900 2027
Mobile : +41 79 834 46 65 

press@urwerk.com 

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URWERK – UR-1001 Amadeus Unique Edition

 

URWERK – UR-LEGENDS UR-1001 Amadeus Engraved Titanium Unique Edition - 2026

Eternity carved in titanium

Time is our most precious asset and URWERK makes it feel even more dizzying with the  UR-1001 Amadeus. This extraordinary creation embodies every imaginable superlative: a mechanism of staggering complexity, a exuberantly baroque design along with an eloquent expression of artisanal craftsmanship.

This unique pocket watch encompasses all scales of time. It counts down the seconds, minutes, hours, days and nights, months, years, centuries and even millennia, thereby offering a mechanical vision of time magnified by a case engraved by the talented Florian Güllert.

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The UR-1001 occupies a place of its own within URWERK’s “Special Projects” collection. It is not only one of the most complex creations ever produced, but also one of the most radical. Conceived as a true Zeit Device, it does not merely measure time but instead maps it. From fleeting seconds to the unattainable millennium, it gives tangible form to that which usually eludes us: Tempus fugit.

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Martin Frei tells us the story of this collection's birth: "When we understood that days and months could be displayed using the same satellite concept as our hours and minutes, I immediately dreamed of a wristwatch with this dual indication. But at the design stage, the two carousels were touching. Not enough space. It's out of this dead end that the idea of the UR-1001 was born, an URWERK pocket watch. Beyond this new format, the UR-1001 offers an unprecedented vision of time. Its millennium indicator, for example, is the antithesis of the seconds hand. Its progress is so slow that the eye can barely grasp it. Does it still indicate time? Certainly! It tells us a great deal about how we perceive the passage of time. As an analogy, the UR-1001 is an object of the same standing and almost the same dimensions as a mobile phone. While the cellphone imprisons us in immediacy, our UR-1001 projects you into another temporal dimension, one we might call liberating. “

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Few timepieces have thus far spanned such a vast temporal scope. Beneath this spectacular architecture, satellites, carousels, a retrograde mechanism, springs and virtually all the components of its complications have been designed, developed and crafted in URWERK’s workshops. It is nonetheless worth noting that this UR-1001 does not stack complications, instead building a veritable mechanism of time. 

Time on the front

The flying hours satellite at 6 o’clock appears to defy gravity. Devoid of an upper bridge, it rests solely on a moving ring offering an unobstructed view of the spectacular retrograde mechanism.

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At 12 o’clock, the satellite annual calendar showcases URWERK’s ingenuity. Three orbital arms cycle through the 12 months of the year, automatically accounting for the specific duration of each: 28, 30 or 31 days.

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A hand-painted day/night disc at 9 o’clock makes a striking contrast with a black sky treated with Super-LumiNova® standing out against a finely brushed white ruthenium-plated surface. Between the two, a few dainty lines depict dawn and dusk.

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Finally, a dedicated indicator informs the wearer of the 39 remaining hours of power reserve.  

Caseback view of time

The reverse side of the UR-1001 tells a story on a completely different scale. An “Oil Change” indicator records service intervals. 

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During the first three years of operation of this exceptional timepiece, its display remains white. The fourth and fifth years appear in red, signalling that a service is recommended. Once this has been carried out, the counter resets to a new cycle.

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Two further indicators extend this long-term perspective on time. The first counter advances in five-year increments and records up to 100 years of operation, much like a mechanical odometer. At the end of each century, it sends a pulse to the 1000-year counter.

Titanium comes to life

A case worthy of such a mechanical masterpiece was required to do it justice. That of the UR-1001 Amadeus becomes a canvas for engraver Florian Güllert to express himself. Under his chisel, titanium loses its apparent rigidity, arabesques appear to emerge from the material itself and the timepiece becomes a sculpture.

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The case of the UR-1001 Amadeus is a one-off creation. “We entrusted Florian with an  UR-1001 featuring a raw titanium case, as we wanted the exterior to convey the same sense of extravaganve that embodied in the movement. We wanted the case to be as daring as the mechanics. The nickname ‘Amadeus’ came from the sheer lavishness of the timepiece once it was completed. Mozart was an avant-gardist, a brilliant madman. I hope our creation epitomises that spirit”, explains URWERK co-founder Felix Baumgartner.

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Florian Güllert reveals what lies hidden within the block of titanium: “First, I had to rough-cut the material using a laser. This was a new process for me. Titanium is particularly demanding and it was a matter of preparing the raw material for hand-finishing. It was only then that my task really began”, explains Florian Güllert. “The project took nearly three months or around 500 hours of work, including the design phase, yet the most demanding part was undoubtedly engraving the caseback of the UR-1001. I pushed Baroque inspiration to its absolute limit, playing with thick and thin strokes as well as voids. It was a wonderful challenge to tackle”, he concludes.

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 On this UR-1001 Amadeus, the design gradually sinks into the metal. The reliefs take shape beneath the pneumatic chisel. The backgrounds are textured, dotted, satin-brushed or matt, depending on the desired light effects. Every edge is honed with a file, every detail rebalanced until any boundary between the case and its decoration disappears.

 The engraving no longer merely covers the watch, instead becoming its very skin. 

 A timeless creation

This UR-1001 Amadeus represents the convergence of two artistic crafts. On the one hand, URWERK’s visionary mechanics, capable of spanning a millennium. On the other, the infinite patience of Florian Güllert, who transforms several hundred hours of work into a design whose complexity nonetheless appears natural.

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This UR-1001 is a unique and timeless timepiece: you may never quite be its owner but instead its custodian for a time, before proudly passing it on to the next generation.

« Live long and prosper! »

ABOUT FLORIAN GÜLLERT

Born in 1972 and raised in Munich, Bavaria, Florian Güllert's path toward
mastery began in 1987, when he undertook his training as a gunsmith and
stockmaker in Ferlach, Austria - a town whose name has long been
synonymous with exacting craftsmanship. Upon completing his
apprenticeship, he settled in Münster, Germany, where he launched his
professional career as a gunsmith and gun finisher.

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It was there that a deeper calling took hold: the art of engraving. In 1995, he
returned to Carinthia to study the discipline at the HTL Ferlach, refining and
expanding upon the technical foundation he had built as a gunsmith.
Graduating in 1998, he founded Handgraveur Florian Güllert, establishing
himself as an independent engraver. From his workshop in Carinthia, he has
since lent his hand to a distinguished clientele spanning both national and
international horizons.
In 2004, he ventured into the rarefied world of watch engraving - a discipline
that has since become the beating heart of his practice, alongside his
continued work in jewelry and steel engraving.
In February 2020, he relocated to Hamburg, where he now shares a
workshop with his partner, Anja Dammenhayn. Together, they lead
Hansegrav, based in Hamburg-Altona.

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TECHNICAL SPECIFICATIONS

Collection:UR-LEGENDS

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Model: UR-1001 “Amadeus” Hand-engraved Titanium by Florian Güllert Unique Edition 

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One-of-a-kind creation

MOVEMENT
Calibre  UR-10.01
Jewels:  51
Escapement:  Swiss lever escapement
Balance wheel:  Monometallic
Frequency:  28,800 vph, 4 Hz
Balance: spring Flat
Power source: Single mainspring barrel
Power reserve: 39 hours
Winding system: Unidirectional rotor
Movement:  Co-axial double star with aluminium ring and platinum
counterweight. Shock-absorbing safety system
Calendar mechanism:  93-tooth wheel, 3 Maltese crosses
Retrograde minutes spring:  6.5-turn coil
(174.4 mm x 0.1 mm x 0.3 mm) with movable balance-spring stud (adjustable pin).
Its great length ensures a very flat torque curve
Main plates and bridges:  ARCAP
Screws  Anti-oxidant titanium
Finishes:  Frosted plates, adorned with Côtes de Genève motif and DLC-coated; chamfered and polished screw heads

SPECIFICATIONS

Dial side
Rotating satellite hours indicator. Retrograde minutes. Rotating satellite calendar displaying months and dates.
Day/Night indicator: black Super-LumiNova fornight, brushed white ruthenium for day, mixed stripes for twilight.
39-hour power-reserve indicator with a red zone indicating low reserve.
Seconds: displayed by three hands showing 3 x 20 seconds across a 120° sector.
Côtes de Genève motif on the Day/Night and power-reserve indicators
Caseback side
“Oil change” indicator (five years)
100-year time indicator
Linear time indicator covering 1,000 years
Finishes
Sandblasted carousel
Plates, dials and satellites treated with PE-CVD and DLC
Satin-brushed and diamond-polished satellites
Hour-markers treated with Super-LumiNova
CASE
Material:  Hand-engraved titanium by Florian Güllert
Dimensions : 106 mm x 62 mm x 23 mm
Crystals:  Glare-proofed sapphire crystals
Water resistance: Tested to 3ATM
Finishes:  Beadblasted

🔰Edition ✅Only ❱❱❱ Unique Pieces

 ---------------------------------
Press Release- 2026
------------------------------------
Media contact:
Ms Yacine Sar
Telephone: +41 22 900 2027
Mobile : +41 79 834 46 65 
press@urwerk.com 
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URWERK – UR-120 Blue Planet Edition

URWERK – UR-SATELLIT UR-120 Blue Planet Steel Limited Edition - 2026

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URWERK UR-120 BLUE PLANET
The Final Salute from the Cosmos

This is the story’s decisive threshold. The mission is accepted, the launch is cleared, and the spacecraft lifts off. 

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Adventure is no longer a promise; it has begun. The hero casts off and plunges into the void… In style!

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That hero is the UR-120 Blue Planet.

The third and final iteration of a now legendary model, it claims blue as its signature: deep, almost liquid, suspended somewhere between Earth seen from orbit and the endless azure of infinity. 

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Lifted by touches of gold, this final UR-120 appears to drift between two realities: one governed by the cold precision of mathematical mechanics, the other by tales of exploration, distant galaxies and heroes raising one last farewell before vanishing from sight. 

The case: a technical object in the service of style

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The UR-120 Blue Planet is built on an interlocking two-part case construction, a structural principle dear to URWERK co-founder and artistic director Martin Frei: " I've always been drawn to this two-part case approach - a base and an upper shell that fit together with precision. A hallmark of Gerald Genta’s work. Technically, it's remarkably clever. You find that idea of a carapace, of built-in protection. The seam vanishes, the assembly becomes invisible. At that point, construction is no longer just a technical constraint, it becomes an act of design." 

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Here, blue does not soften the UR-120. It sends it elsewhere. The watch becomes the hull of a space module, a fragment of interstellar architecture, an object designed for another atmosphere. Its smooth upper surface, free of visible screws, seems to stretch forward. 

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The domed sapphire crystal draws the eye into the display. The articulated lugs - a rare feature in URWERK design - extend the case with seamless continuity, while a spring concealed within the 6 o’clock lug fine-tunes the fit on the wrist.

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Nothing is accidental. Nothing is just cosmetic. Every detail serves the structure, the ergonomics and the visual trajectory of the watch.

The calibre: kinetics of a salute

At the heart of the UR-120 Blue Planet beats Calibre UR-20.01, a mechanism designed not only to indicate time, but to stage it. 

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Three hour satellites orbit a central carousel. Each advances in turn along the minute track before leaving the stage to prepare for the next hour. Then comes the gesture. As a satellite reaches the left-hand side of the case, it opens. Its two rectangular arms split apart to form a V. The Vulcan salute comes to life.

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Familiar to generations of science-fiction devotees, this gesture is transformed here into a genuine horological complication. The carousel rotates. The satellites counter-rotate to remain legible. The arms pivot independently on their own axis. Their opening and closing are controlled by a lyre-shaped spring, while Maltese crosses choreograph each sequence with absolute precision. 

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Felix Baumgartner, URWERK co-founder and master watchmaker, explains: “In actual fact, once we realised we had to open these satellites, it became a cause for personal celebration. A new horological conundrum to solve. The UR-120’s carousel alone comprises 175 components, while the complexity of the satellites requires us to control their interactions to the nearest micron. Our challenge has always been to optimise the forces in play. Energy management is delicate and intricate. Among other things, we used our signature Maltese cross element and produced the lyre-shaped spring at the heart of this complication in our own workshops.” 

Gold: when function becomes light

Against the deep blue architecture of the UR-120 Blue Planet, the lyre springs and Maltese crosses are finished with a 24K yellow-gilt PVD coating. Here, gold is not an ornament. It reveals the function. 

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 It draws the eye to the active components, the points of tension, the parts where energy is stored, released and transformed into motion.

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Like the Bussard collectors glowing at the front of the USS Enterprise’s warp engines, these gilded elements seem to capture and channel power. Every passing second becomes energy made visible. Every mechanical impulse becomes light. 

 Soaring towards the stars

The UR-120 Blue Planet does not announce a sequel. It is a final transmission.

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For one last time, its satellites open. For one last time, that fleeting V-shape appears beneath the sapphire crystal. A Vulcan salute. A signal from the bridge. A nod to those who grew up with distant galaxies, impossible spacecraft and the belief that adventure might begin at any second.

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The final UR-120 does not take a bow.
It soars away in a blaze of golden fireworks, then vanishes into the blue !

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« Live long and prosper! »

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TECHNICAL SPECIFICATIONS

Collection: UR-SATELLITE

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Model: UR-120 “Blue Planet” Automatic Edition

Movement
Caliber:    UR-20.01, self-winding
Jewels:         32
Escapement:    Swiss lever
Frequency:    4 Hz; 28,800 vph
Power reserve:    48 hours
Materials:    Beryllium copper, anodised aluminium, ARCAP, titanium, brass, LIGA-processed blue ALD (atomic layer deposition)-treated, 24K yellow-gold PVD-treated.
Hand finishing:  Circular- and straight-graining, sandblasting, côtes de Genève, polished screw heads
Finishes: Circular graining, straight graining, sandblasting, Côtes de Genève motif, polished screw heads
Hours and minutes painted in Super-LumiNova®
Display
Analog minutes and dragging satellite hours displayed on triple planetary gears
Case
Dimensions:    Width 47 mm; length 44 mm; thickness 15,8mm
Materials:    Sandblasted stee with blue PVD, sandblasted steel bezel
Crystal:        Curved sapphire crystal with anti-reflective treatment
Water resistance:    Pressure-tested to 3ATM / 30m / 100ft
STRAP
Blue Cordura-textured calfskin strap with satin-brushed steel pin buckle with blue PVD

🔰Edition ✅Only ❱❱❱ 20 Pieces
🔴PRICE:   CHF 115, 000.00 (Swiss francs / tax not included)💰

 ---------------------------------
Press Release- 2026
------------------------------------
Media contact:
Ms Yacine Sar
Telephone: +41 22 900 2027
Mobile : +41 79 834 46 65 
press@urwerk.com 
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URWERK – UR-10 SpaceMeter Blue Edition

URWERK – UR-SPECIAL PROJECTS UR-10 SpaceMeter Blue - Final Edition - 2026

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THE UR-10 SPACEMETER BLUE 
FINAL EDITION

Every idea harbours its own conclusion. With the UR-10 SpaceMeter Blue issued in a 25-piece final edition, URWERK is not merely closing a chapter, but rather sealing the culmination of a horological exploration in which time ceases to be measured and instead merges with space.

 

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The UR-10 by URWERK has never been a watch in the conventional sense of the term. It is an instrument of cosmic awareness. A mechanical object reminding us that our Earth does not merely set the rhythm of our existence but also lives at its own pace: rotating on its axis, orbiting the Sun and hurtling through the cosmos. The UR-10 sets out to reveal its every quiver, linking time to the invisible movement sustaining all human existence. It brings to the wearer’s wrist not the time of the world, but the world itself in its actual motion. Second by second. Kilometre by kilometre.

A ROUND DIAL REFLECTING URWERK’S THINKING 

The UR-10 SpaceMeter occupies a unique place in URWERK’s history. At first glance, its round dial endows it with an almost classic appearance - and that is precisely the essence of its subversive nature. The shape offers momentary reassurance, while the function immediately draws the gaze elsewhere. For the UR-10 is all about contrasts: it is simultaneously the least and the most resolutely URWERK watch of all the collections. The most bewildering in appearance. The most faithful at its core.

 

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With its main dial enhanced by three subdials, the UR-10 is a machine for measuring the distances our planet travels through space-time. 

• At 2 o’clock – the EARTH counter measures every 10 km travelled by the Earth in its daily rotation, graduated in 500 m increments.
• At 4 o’clock – the SUN counter records every 1,000 km travelled by the Earth in its solar orbit in 20 km increments.
• At 9 o’clock – the ORBIT counter combines the two trajectories, translating 1,000 km of Earth’s rotation and 64,000 km of solar revolution onto two synchronised scales.

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The UR-10 does not only indicate the hours and minutes; it articulates a vision, transforming the watch into a system for representing Earth’s motion. Reading the time thus becomes almost secondary. The wearer of the UR-10 is no longer merely faced with a succession of moments and is instead placed within a larger overall movement. The watch no longer simply says “It’s 10 o’clock”, but rather “Here’s where you are within the grand mechanism of the world.”

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According to URWERK’s co-founder and artistic director Martin Frei: “Time is not something we observe. It is something we inhabit. With the UR-10, we wanted to broaden the perspective, to remind us that we live aboard a celestial body in constant motion. This final blue edition seemed the most fitting to us, because it naturally places this timepiece in its true setting: space.”

 THE EARTH ON THE CASEBACK

On the reverse side of the watch, a peripheral hand traces the hours along a 24-hour scale, evoking the Earth’s complete rotation. The caseback is engraved with pictograms representing “Rotation” (Earth) and “Revolution” (Sun): Rotation is read clockwise, whilst Revolution is interpreted counter-clockwise. 

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The caseback of the UR-10 SpaceMeter thus becomes a portable cosmography on a 24-hour scale. These three indications - Hours, Rotation and Revolution - invite a reading as poetic as it is rigorous. Three fundamental units. Three physical realities translated into watchmaking mechanics.

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Another horological development relating to the UR-10 is the addition of a Double Flow Turbine, an evolution of URWERK's one-way self-winding system. This patented turbine comprises two stacked propellers which rotate in opposite directions. When a self-winding mechanism isn't spinning in the winding direction, the rotor's high speed exerts significant constraints on the system. The double turbine creates air flow between the two sets of blades, which slows them down and preserves the mechanism. These blades also create a hypnotic spectacle.

A REINTERPRETED HERITAGE

The UR-10 draws inspiration from the masters of the past, and from a more intimate legacy, that of Felix Baumgartner’s father, Gérard, a restorer of antique clocks who discovered and refurbished a mysterious Gustave Sandoz clock featuring three astronomical dials. The soul of the UR-10 is derived from this legendary clock passed down from father to son.

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As always at URWERK, the mechanics are never decorative, instead serving an idea and rendering tangible that which would otherwise remain purely abstract

THE END AND THE BEGINNING OF A LEGEND.

The UR-10 SpaceMeter Blue is thus the final edition, the natural culmination of an idea pushed to its maximum density, where time is no longer just measured but unfolds in space. 

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This model rounds off the “10” collection – and at URWERK, when a creation leaves production, it does not disappear, instead directly entering the Maison’s “The Legends” archive collection.

==========================
TECHNICAL SPECIFICATIONS

Collection: UR-SPECIAL PROJECTS

Model:  UR-10 SpaceMeter Blue Edition 

MOVEMENT
Caliber UR-10.01 developped by URWERK, self-winding with double barrel
Rotor  Patented Dual Flow Turbines with two propellers in counter-rotation
Rubies 44
Escapement Swiss lever
Frequency 4 Hz, 28 800 a./h
Power reserve 43 hours
Materials Steel, brass, ARCAP, CuBe, Durnico, Nickel (LIGA)
Finishing Circular graining, straight graining, sandblasting, polished screw heads
INDICATIONS

• Analog central hours and minutes
• 2 o’clock counter displaying Earth’s daily rotation measured at the Equator / 10 km
• 4 o’clock counter displaying Earth’s daily orbit around the Sun/ 1000 km
• 9 o’clock double concentric counter displaying Earth’s rotation and solar revolution
• Hours on a 24-hour scale, on the back
• Rotation and Revolution on a 24-hour scale, on the back

CASE
Dimensions Width: 45.40 mm; length: 44mm 
Thickness (excl. crystals): 7.13 mm
Materials Sandblasted titanium case middle, sandblasted steel caseback
Crystal Glare-proofed glass-box sapphire crystals
Water-resistance Pressure-tested at 3 ATM / 30 m
DIAL
Finishings ADL treated blue dial, curved, circular satin-finished

• Finely sandblasted counters at 2 and 4 o’clock
• Circular satin-finished counter at 9 o’cloc

Hands Produced in-house. 
Syringe-shaped and enhanced with Super-LumiNova for hours-minutes indications;
open-tipped for distance indications
BRACELET
Sandblasted titanium, single link, secured by a titanium folding clasp

🔰Edition ✅Only ❱❱❱ 25 Pieces 
🔴PRICE:   CHF 70, 000.00 (Swiss francs / tax not included)💰

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Press Release - 2026
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Media contact:
Ms Yacine Sar
Telephone: +41 22 900 2027
Mobile : +41 79 834 46 65 

press@urwerk.com 

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