Showing posts with label Czapek. Show all posts
Showing posts with label Czapek. Show all posts

Thursday, November 13, 2025

Czapek & Cie. – TIME JUMPER 10th Years Revival 180th Anniversary Edition


Czapek & Cie.10th ANNIVERSARY Time Jumper10th Years Revival / 180th Anniversary 40.5mm Edition 2025

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THE TIME JUMPER 10 for 10
Czapek & Cie Celebrates its 10th Anniversary with Calibre 10

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Celebrating a decade since the revival of the Maison’s name, Czapek trips back to the future with the Time Jumper, powered by the new in-house Calibre 10

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A new twist on traditional guillochage decorates the futuristic form of its 40.5mm steel case and the half-hunter cover plays hide-and-seek with the time indication and the open-worked movement that drives it. 

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Released as a limited edition of 100 pieces in stainless steel and 30 in 3N 18-carat gold, the watch will be unveiled at a 10th Birthday celebration that will gather Czapek’s Rare People from all over the world in Geneva on November 12.

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Reimagining the pocket watches created by François Czapek in the 19th century in playful, avant-garde style, the watch is centred on a jumping hour complication displaying 24 hours on two discs (a première with a patent-pending mechanism) and complemented by trailing minutes on a peripheral ring. 

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On the half-hunter cover, a new, threedimensional guilloché pattern creates the optical illusion of a black hole, its event horizon taking the form of a loupe in the centre that reveals the open-worked complication. Flipping the cover open unveils the entire movement beneath a sapphire crystal glass.

 Click, to see the large size. BIG FOTO  

“Our goal with the Time Jumper was to rethink the expression of time and bring something new and fresh to the table,” says CEO Xavier de Roquemaurel. “We have been keen to explore time indications without traditional hands and a jumping hour is one way to do that. However, the jumping hour displays that have been done until now tend to be quite similar and we wanted to express the complication in our own, different way.”

 Click, to see the large size. BIG FOTO  

The result is an almost literal expression of Czapek’s ‘head in the sky, feet on the ground’ style of thinking: the former translated into a retro-futuristic ‘flying saucer’ case; the latter rooted in the traditional round shape derived from historic pocket watches.

Space Oddity: Calibre 10 and the Next Decade

For the 10th anniversary milestone, it might be assumed that Czapek would create a highly complicated calibre to show off its technical evolution and haute horlogerie credentials. 

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However, given the delight it takes in going against the expected flow, Czapek chose simple functions – hours and minutes only, albeit with an unconventional display – to celebrate this first decade as a modern haute horlogerie house.

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The conceptual genesis of Calibre 10 lay in the notion of exploring and dissolving the space-time continuum. The Maison’s previous nine calibres have been essentially traditional: contemporary reinterpretations of classical complications, expressing a modern Czapek style – philosophically, technically, visually – that has become increasingly recognisable over the past decade. 

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Calibre 10, born from the desire to explore new timekeeping ‘space’ over the coming 10 years, has been designed as the foundation of a series of in-house movements that will host a wide variety of complications. 

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Celebrating the true spirit of haute horlogerie, each evolution of Calibre 10 will be completely redesigned and re-engineered so that every complication is fully integrated – an entirely different philosophy from adding modular functions to a simple base, which is the standard approach in watchmaking driven by commercial or industrial optimisation. 

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To make this possible, the key criteria were that the movement should be self-winding, compact in both diameter and height – thus able to be housed in cases as small as 36mm in diameter – and with a highly adaptable architecture. 

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As well as ensuring that every future iteration of the calibre will be aesthetically distinctive, this approach enhances mechanical efficiency – since conventional stacking of modules often increases friction, thus reducing both power reserve and precision.

“Elliott, that machine, what does it do?”

The starting point for the Calibre 10 architecture is a centrally mounted winding rotor in recycled 950 platinum, skeletonised to provide an unobstructed view of the movement. 

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The overall design is harmonious and fluid – ‘very Czapek’ with its graceful curves, concentric circles and airy interplay of bridges, visually anchored by the strong, straight lines of the rotor’s ‘arms’, shaped like a geometry compass, which attach it to the central axis. The 5-spoke design of the wheels with their diamondbevelled edges, an exclusive Czapek signature.

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Calibre 10.1 – the first application of the Calibre 10 technical philosophy – combines the central jumping hours display on a 24-hour register, with trailing minutes on a rotating peripheral ring. The hours are marked on two sapphire discs – one for single digits, one for tens. 

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With the flying saucer shape of the case suggesting an astronaut’s watch, a 24-hour register seemed a natural complication, as well as being a departure from the standard 12-hour register.

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Haute horlogerie finishes, in combinations that have come to define Czapek’s signature aesthetic, add life and movement. The high shine of rhodium coated bridges contrasts with blackened plates to create a play of reflections and increase the sense of visual depth: light against the deep black of space. 

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Traditional negative engraving on the winding rotor plays against the modernity of laserengraved minutes and hours – the latter filled with Super-Luminova.

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Representing another stage in Czapek’s technical evolution, Calibre 10.1 was not only designed, conceived and assembled in-house, but also machined 75% in-house. This is not to suggest that Czapek is striving for full vertical integration. The principle of établissage is a fundamental value that it will always defend. 

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However, greater in-house capabilities allow agility and freedom: the ability to produce elements internally while also choosing and collaborating with the best specialist partners in any given area.

Beam Me Up, Scotty

Given the conceptual notion of dissolving the space-time continuum, a techno-futuristic habillage was the natural visual expression – hence the flying saucer shape, popularised by science fiction of the mid-to late-20th century (a topic fascinating to Xavier between the ages of 11 and 18 – as it was to many boys growing up at that time). 

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The traditional round shape and half-hunter case loop back to the form of pocket watches and the 19th-century genesis of today’s Czapek. However, Czapek’s design partner for the project, Thomas Funder, has used curves and angles to express that tradition in a different and less-expected way. A key design element – also present in earlier Czapek watches – is the tension between balance and imbalance, symmetry and asymmetry, beauty and strangeness.

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We wanted an avant-garde and uncompromising design without being extreme – different from other Czapek models yet a clear expression of the brand’s signature elements and aesthetic codes,” explains Xavier.

The design was led by the jumping hour display, which determined the form and style of the minutes. These had to be in a guichet or aperture – hence the half-hunter idea, which in turn created an ideal canvas for guillochage

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With the cover closed, all eyes are on the hour indication – under the bubble-shaped loupe in the centre of the case (the flying saucer cockpit), which is set directly over the dial crystal. With the cover open, the full reveal of the mechanism and the complications is there to understand and enjoy.

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Straight lines and flat planes are almost non-existent. The case, produced by Czapek’s partner AB Concept, is as smooth as a pebble – and as aerodynamic as a spacecraft. Soft curves are present in every detail: the oval-shaped button to release the case cover, the polished and rounded ends of the lugs, the rounded crown with the notches required for grip half-hidden close to the case. Straight edges have been minimised even on the strap buckle.

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The guilloché pattern on the case cover adds another visual layer. Czapek’s longstanding partner Metalem, which has been evolving the once-lost savoir-faire of guillochage in new ways, had proposed a new pattern that proved to be perfect for this piece and is now exclusive to Czapek. An evolution of the vortex-like Singularité guilloché created for the Antarctique Tourbillon, it creates the optical illusion of curves being drawn into a deep centre.

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Completing the space-time story, the Time Jumper’s presentation box also takes the form of a flying saucer made of aluminium with a sandblasted finish and tiny polished details.

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Czapek will produce only 180 pieces of Calibre 10.1 movements, to celebrate the 180th anniversary since the original founding of the maison in Geneva in 1845. The Time Jumper will be first introduced with a limited edition of 100 pieces in stainless steel and 30 pieces in 3N 18-carat gold. The rest of the calibres will be used for special projects, including an allocation of 10 bespoke pieces – that can be ordered immediately by contacting the Czapek boutique.

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The Time Jumper will be unveiled on the 12th of November 2025 in Geneva during a gathering of media, collectors, partners and friends of the 0 community, and will be available on order at the Czapek boutique in Geneva at 18 rue de la Corraterie, at authorised Czapek dealers worldwide, and at Czapek.com.

=======================
About Czapek & Cie
 

François Czapek was a Czech-born Polish watchmaker who fled to Geneva in 1832 after fighting in the Polish uprising. He immediately started his own atelier and in 1839 entered into a partnership with Antoine Norbert de Patek, introducing him to the world of watchmaking. In 1845, at the end of their partnership, he created Czapek & Cie and achieved considerable success. He became the official watchmaker of Napoleon III and opened, what was most likely the first watchmaking boutique on the Place Vendome in Paris

Click, to see the large size. ▶  BIG FOTO     

He wrote a book about watchmaking, but unfortunately, he died before publishing a second one. Czapek & Cie has been revived in 2015 with an exceptional collection, whose leading model won the Public Prize in the Grand Prix de l’Horlogerie in Geneva in November 2016. This collection takes its inspiration from an 1850’s Czapek time piece. It features a beautiful enamel dial and a 7-day proprietary movement perfectly combining craftsmanship with design and exclusivity with rarity. 

Click, to see the large size. BIG FOTO 

The Company second collection, a suspended Tourbillon with a second time-zone, was launched one year later in 2017, while the first Czapek chronograph Faubourg de Cracovie was unveiled at Baselworld 2018. The company is headquartered in Geneva, Switzerland.

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TECHNICAL CHARACTERISTICS

Model name: GARRICK ANNIVERSARY Time Jumper 10th Years Revival / 180th Anniversary 40.5mm Stainless steel case 
🔰Edition - Of ✅100 pieces

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FUNCTIONS
Jumping hours & trailing minutes
MOVEMENT
Calibre 10.01: Czapek’s in house self-winding mechanical movement
Diameter: 30 mm – 13 ¼ lines
Height: 6.13 mm
Number of parts: 275
Number of jewels: 44
Swiss lever escapement, variable-inertia balance fitted with four gold inertia-blocks
Frequency: 4 Hz – 28'800 vph
Power winding system: recycled platinum mass
Power-reserve: 60 hours on one single barrel
FINISH
Sandblasted & circular brushed rhodiumplated bridges, bevelling
New exclusive wheels design, circular brushing & bevelling
SLN sapphire hours and minutes discs
Minutes disc laser coloured in blue & texturized
Black polished springs
CASE
    Material: Stainless steel case & white gold guilloché inlay
    Handmade three-dimensional guillochage with registered motif
    Diameter: 40.50 mm
    Lug-to-lug (12h to 6h): 42.40 mm
    Height: 10.5mm without magnifying crystal, 12.35 mm with crystal
    Sapphire crystal glass-box with antireflective treatment
    Sapphire crystal glass-box case back with anti-reflective treatment on the inner side
    Cover opening pusher at 6 o’clock
    Water-resistant to 30 meters
BRACELET 
Blue rubber strap
Lug to lug: 19mm
18mm stainless steel pin buckle

🔰Edition - Only of ✅100 pieces
🔴INTERNATIONAL RETAIL PRICE without tax CHF 42'000 (including GST).

=============================
TECHNICAL CHARACTERISTICS

Model name: GARRICK ANNIVERSARY Time Jumper 10th Years Revival / 180th Anniversary 40.5mm 3N 18-carats Gold case 
🔰Edition - Only of ✅30 pieces

Click, to see the large size. BIG FOTO   

FUNCTIONS
Jumping hours & trailing minutes
MOVEMENT
Calibre 10.01: Czapek’s in house self-winding mechanical movement
Diameter: 30 mm – 13 ¼ lines
Height: 6.13 mm
Number of parts: 275
Number of jewels: 44
Swiss lever escapement, variable-inertia balance fitted with four gold inertia-blocks
Frequency: 4 Hz – 28'800 vph
Power winding system: recycled platinum mass
Power-reserve: 60 hours on one single barrel
FINISH
Sandblasted & circular brushed rhodiumplated bridges, bevelling
New exclusive wheels design, circular brushing & bevelling
SLN sapphire hours and minutes discs
Minutes disc laser coloured in blue & texturized
Black polished springs
CASE
    Material: 3N 18-carat yellow gold case & guilloché inlay
    Handmade three-dimensional guillochage with registered motif
    Diameter: 40.50 mm
    Lug-to-lug (12h to 6h): 42.40 mm
    Height: 10.5mm without magnifying crystal, 12.35 mm with crystal
    Sapphire crystal glass-box with antireflective treatment
    Sapphire crystal glass-box case back with anti-reflective treatment on the inner side
    Cover opening pusher at 6 o’clock
    Water-resistant to 30 meters
BRACELET 
Blue rubber strap
Lug to lug: 19mm
18mm 3N 18k yellow gold pin buckle

🔰Edition - Only of ✅30 pieces
🔴INTERNATIONAL RETAIL PRICE without tax CHF 64'000 (including GST).

#wecollectrarepeople

---------------------------------
Press Release - 2025
---------------------------------
Czapek & Cie – 2, Rue Saint-Léger, 1205 Genève Suisse
Contact presse: Valeria Garavaglia Pedroni
Email: valeria@czapek.com | jane@czapek.com (UK)
Tel.  +41 79 314 08 54
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 www.facebook.com - Czapek Geneve
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Czapek.com

Tuesday, September 2, 2025

Czapek & Cie. – ANTARCTIQUE Rattrapante ‘R.U.R.’ Edition


Czapek & Cie.ANTARCTIQUE Rattrapante ‘R.U.R.’ Monopusher Chronograph Edition 2025

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Geneva, September 2025 – Will robots rule all our lives one day? Or will Czapek’s Rare People escape that fate? Might the answer be found in Czapek & Cie’s new Antarctique Rattrapante ‘R.U.R.’, where a robot adds a playful animation to the mechanics revealed beneath the grey-metallised sapphire dial? As the chronograph function is activated, the robot’s eyes change colour: press start, the eyes turn yellow (recalling Shrikes in the movie Mortal Engines). Stop: they turn red. And on reset they turn blue.

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A closer look reveals more details that distinguish the R.U.R. dial from previous Antarctique Rattrapante models: the white chronograph hand, the blue aluminium rattrapante hand with a white tip. On the peripheral chronograph seconds register and the two sub-dials, ‘XX’ symbols represent the robot’s language – a language invented for R.U.R. that takes its roots from the Predator movies’ Yautja alphabet (remember the count-down?) and plays with the X of Xavier (no prizes for guessing who was behind that idea!) 

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The robot’s head, created by Czapek’s valued partner MD’Art is a miniature work of art and technology in its own right. Made of titanium, it was cut, hand-polished and laser-engraved; each of its eyes is micro-painted by hand using neon tones of the three colours.

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“When we launched the Antarctique Rattrapante in 2021, one of our shareholders immediately suggested incorporating a robot into the movement, as a way of celebrating the beauty of the mechanism,” says Xavier de Roquemaurel, CEO of Czapek & Cie. “Since the pursuit of mechanical and aesthetic Beauty is central to our philosophy of watchmaking at Czapek and we are always thinking about different ways of approaching it, we loved the idea of a robot – a playful mix of aesthetics and mechanics – but the real impetus for the robot idea came from further away…”

 Click, to see the large size. BIG FOTO  

A century of robots…

The Czapek team’s discovery that the word robot had been introduced to the wider world exactly a century earlier by another man called Čapek (with the Czech spelling), made the rattrapante-with-robot idea irresistible. A prominent Czech intellectual, Karel Čapek was deeply concerned about the scientific materialism that emerged in the early 20th century. 

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His play, R.U.R.Rossum’s Universal Robots, about mechanical men that were built to work on factory assembly lines but that rebel against their human masters, was a critique of the dehumanising potential of science and technology. First performed in Prague in 1921, within two years it had been translated into 30 languages. (The original first edition is in the Museum of Science-Fiction in Yverdon, Switzerland.)

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In early drafts of his play, Čapek named his creatures labori, after the Latin root for labour, then, at the suggestion of his brother, Josef, Čapek opted for the Czech roboti – robots in English. The word had, in fact, first been cited in the Oxford English Dictionary in 1839, referring to a ‘central European system of serfdom, by which a tenant’s rent was paid in forced labour’. Thanks to Čapek, ‘robot’ has come to mean the humanoid machines of science-fiction novels and films and his play paved the way for dystopian sci-fi scenarios such as Terminator and Blade Runner. 

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A century after R.U.R., we hear echoes of Čapek’s worldview in current discussions about automation, artificial intelligence, the cloud-based network of power that increasingly governs our lives, the ethics of transhumanism… essentially the same profound and important questions about the relationship between humanity and technology that concerned Karel Čapek. 

The beauty of turning inside-out

Created in collaboration with Jean-François Mojon of Chronode, Czapek’s Calibre SXH6 effectively turns the split-seconds chronograph movement inside-out to reveal the beauty of the rattrapante mechanism. While a chronograph mechanism is normally on the underside of a calibre, in the Antarctique Rattrapante the split-seconds mechanism takes centre stage on the dial side. 

 Click, to see the large size. BIG FOTO  

A tripod bridge in the centre holds down a patented satellite minute train and split-second mechanism. Each half of the movement is visually anchored by a column wheel – one at 12 for the chronograph and one at 6 for the split-seconds mechanism. The entire operation of the chronograph mechanism is laid open for the viewer to enjoy: the engagement of the horizontal clutch, the action of the rattrapante clamps, and the way that the two column wheels work opposite one another and in tandem with the activation of the two pushers.

 Click, to see the large size. BIG FOTO  

With a split-seconds chronograph, the viewer tends to focus on the movement of the hands. However, with the changing colours of the robot’s eyes on the Antarctique Rattrapante R.U.R., attention is drawn directly to the mechanical beauty and complex operation of the split-seconds mechanism. Following the design principle of integrating form and function, the robot is set on top of the chronograph column wheel so that, each click of the column wheel (triggered by activating the stop-reset-start pushers) directly translates into a changed eye colour.

 Click, to see the large size. BIG FOTO  

However, like many of Czapek’s playful – and deceptively simple – ideas, the robot presented plenty of challenges. Finding the finish for the head that would best enhance its volumes and contrast with the surrounding elements took a great deal of experimentation with different techniques and textures. Choosing the right colour and finish to ensure the vibrancy of the eyes and contrast with the head also involved a lot of back-and-forth with materials and techniques. 

 Click, to see the large size. BIG FOTO  

When working at such a level of detail, the slightest change to one element affects the balance of the whole. To ensure perfect mounting of the head on the movement, Chronode developed a special assembly jig to help index all the wheels and related parts to the head.

A hidden mechanism within the mechanism: the isolator

A split-seconds chronograph is one of watchmaking's most prestigious complications – distinguished from regular chronographs by a pair of clamps that instantly immobilises one of the chronograph wheels when the split-seconds pusher is activated. 

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Meanwhile, the other chronograph hand continues to count the time. When the clamps are released, the immobilised hand will ‘catch up’ (rattraper in French) with its companion.

 Click, to see the large size. BIG FOTO  

In the bowels of its split-second mechanism, the Antarctique Rattrapante R.U.R. hides an ingenious mechanism: an isolator. Thanks to a lever, the isolator enables the split-seconds mechanism to completely decouple the two chronograph seconds wheels without generating friction in the rest of the mechanism. 

 Click, to see the large size. BIG FOTO  

This sharply reduces the chronometric disturbances that may occur during use of the split-second function. With this additional function, the R.U.R. represents a step forward in the construction of the Czapek split-second chronograph. 

Beauty, amplified…

Czapek’s calibres are distinguished by a wealth of haute horlogerie hand-finishing on the components, creating a play of light that amplifies the beauty of the movement architecture. On the dial, the mirror-polished heads of the screws and column wheels and the hand-bevelled levers and bridges contrast with the matte sandblasted finish of the main plate. 

 Click, to see the large size. BIG FOTO  

On the reverse side, visible through the sapphire crystal caseback, an oscillating weight made of 5N recycled rose gold is complemented by matte bead-blasted bridges outlined by hand-polished chamfers and other finishes including circular satin-polished wheels and black-polished screws. The rotor winds a single barrel that provides the 4Hz movement with 60 hours of running autonomy. Complementing the sleek design of the 42.5 mm. case, the integrated bracelet echoes the movement finishing with its combination of brushed surfaces and highly polished C-shaped links.

 Click, to see the large size. BIG FOTO  

The 77-piece Czapek Antarctique Rattrapante ‘R.U.R.’ edition will be available as of September 5th 2025 at authorised Czapek dealers worldwide, the Czapek boutique in Geneva at 18 rue de la Corraterie, and at Czapek.com

 Click, to see the large size. BIG FOTO  

=======================
About Czapek & Cie
 

François Czapek was a Czech-born Polish watchmaker who fled to Geneva in 1832 after fighting in the Polish uprising. He immediately started his own atelier and in 1839 entered into a partnership with Antoine Norbert de Patek, introducing him to the world of watchmaking. In 1845, at the end of their partnership, he created Czapek & Cie and achieved considerable success. He became the official watchmaker of Napoleon III and opened, what was most likely the first watchmaking boutique on the Place Vendome in Paris

Click, to see the large size. ▶  BIG FOTO    

He wrote a book about watchmaking, but unfortunately, he died before publishing a second one. Czapek & Cie has been revived in 2015 with an exceptional collection, whose leading model won the Public Prize in the Grand Prix de l’Horlogerie in Geneva in November 2016. This collection takes its inspiration from an 1850’s Czapek time piece. It features a beautiful enamel dial and a 7-day proprietary movement perfectly combining craftsmanship with design and exclusivity with rarity. The Company second collection, a suspended Tourbillon with a second time-zone, was launched one year later in 2017, while the first Czapek chronograph Faubourg de Cracovie was unveiled at Baselworld 2018. The company is headquartered in Geneva, Switzerland.

=============================
TECHNICAL CHARACTERISTICS

Model name: GARRICK ANTARCTIQUE Rattrapante ‘R.U.R.’ Monopusher Chronograph Edition

#wecollectrarepeople

Click, to see the large size. BIG FOTO  
 

FUNCTIONS
• Split-second monopusher chronograph, hours,minutes & seconds
• Chronograph's minutes at 4:30
• Small seconds at 7:30
• Split-second pusher at 10:30
• Rattrapante ON/OFF indicator at 6:00
• Indication of the chronograph state by the robot head at 12:00
MOVEMENT
Calibre SXH6: haute horlogerie automatic
• power-horse movement with a split-second
• monopusher chronograph module
• Power reserve: 60 hours
• Frequency: 4 Hz - 28’800 VpH
• Variable inertia balance wheel
• Two column wheels, chronograph horizontal
• clutch
49 jewels, 441 components
• Recycled 5N rose gold rotor with Czapek logo
• Diameter: 34mm
FINISH
• Finely shotblasted bridges with hand-polished
• chamfers
• Linear satin-finished chronograph levers with hand-polished chamfers
• Circular satin-finished wheels
• Black-polished screws, studs and column wheels 
CASE
42.5 mm stainless-steel case
• Lug to lug : 46.6mm
• Height (with glass-box): 15.3mm
• Perceived height (bezel to case-back): 10.5mm
• Sapphire crystal glass-box with anti-reflective treatment
• Sapphire case back with anti-reflective treatment on the inner side
• Water resistance: 12 atm
• Screwed-down crown
DIAL
• Open-worked split-second chronograph on the dial side (world première)
• Robot head indicating the chronograph state: running (yellow), stopped (red), and reset (blue)
• Sword hours and minutes hands with SuperLuminova treatment
• Split-second hand in blue with white tip
• Main seconds hand in white with blue tip
• Grey fumé sapphire glass minutes ring and counters made with PVD evaporation
BRACELET
• Integrated stainless steel bracelet with Czapek
• exclusive "Easy Release" system & micro adjustment device
• Complementary rubber strap
• Additional calf leather strap on demand

🔰Edition - Only of ✅77 pieces
🔴INTERNATIONAL RETAIL PRICE without tax CHF 58'000 (including GST).

---------------------------------
Press Release - 2025
---------------------------------
Czapek & Cie – 2, Rue Saint-Léger, 1205 Genève Suisse
Contact presse: Valeria Garavaglia Pedroni
Email: valeria@czapek.com | jane@czapek.com (UK)
Tel.  +41 79 314 08 54
-----------------------------------------------------
 www.facebook.com - Czapek Geneve
------------------------------------------------
Czapek.com