Facets of the colour black (from left): GRAND LANGE 1, GRAND LANGE 1
“Lumen”, DATOGRAPH UP/DOWN, LANGE ZEITWERK “Luminous”, LANGE ZEITWERK
The classic colour for festive occasions has triggered many a revolution – in the realms of fashion or art, for instance. But black can have many other meanings and functions. Five black timepieces by A. Lange & Söhne juxtapose with black objects to showcase the fascinating facets of the darkest of all colours.
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Black discs: Vinyl records are experiencing a renaissance. For music
enthusiasts, what counts is not the haptic experience of the black round
with its large cover and liner notes. It’s the mechanical sampling of
the spiral groove that creates a richly detailed, three-dimensional
soundscape as in a concert hall. In the model DATOGRAPH UP/DOWN, the
aesthetic thrill lies not only in the relief structure of the fine azuré
grooves on the bright subsidiary dials. Lange’s calibre L951.6 ranks
among connoisseurs as the technically most advanced and beautiful
chronograph movement
In
1915, a black square with a side length of 79 cm launched a revolution in the art world. Eleven years after Kazimir Malevich’s foray into avant-garde art, the little black dress by Coco Chanel caused an éclat in the realm of fashion. It was dubbed “the uniform for all women of taste” and is still referred to that way. The examples illustrate: black has the potential for icon status. It is a designer’s favourite colour because it highlights the pure underlying form. Equally, it can have a technical function. Photographers prefer black cameras because they produce no reflections. And in a wristwatch, a black dial combined with bright markers or luminous displays assures high contrast and good legibility.
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Black and white: The camera in the background is reminiscent of the many
pioneering mechanical accomp-lishments that originated in Saxony. The
first camera for 35-mm perforated film was built here in 1932. It was
followed four years later by the world’s first single-lens reflex
camera. Exposure times as short as a thousandth of a second gave rise to
masterpieces in black-and-white photography. The digital display of the
model LANGE ZEITWERK also switches in fractions of a second with a
gentle click. A patented constant-force escapement makes this possible.
In the dialogue with hand-picked black objects,
A. Lange & Söhne timepieces present both sides of the darkest of all colours – the aesthetic one and the technical one: More about that at our photos.
About A. Lange & Söhne
When Ferdinand A. Lange, a Dresden watchmaker, established his watch manufactory in
1845, he laid the cornerstone of Saxony’s precision watchmaking. His precious pocket watches remain highly coveted among collectors all over the world. The company was expropriated after World War II, and the name
A. Lange & Söhne nearly fell into oblivion. In
1990, Ferdinand A. Lange’s great-grandson Walter Lange had the courage to relaunch the brand. Today, Lange crafts only a few thousand wristwatches in gold or platinum per year. They are endowed exclusively with proprietary movements that are lavishly decorated and assembled by hand. In a period of little more than 20 years,
A. Lange & Söhne developed over 40 manufacture calibres and secured a top-tier position among the world’s finest watch brands. Its greatest successes include innovative time-keeping instruments such as the LANGE 1 with the first outsize date in a series produced wristwatch as well as the LANGE ZEITWERK with its supremely legible, precisely jumping numerals. Meanwhile, both models have become icons of a brand rich in tradition.
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Black on black: The history of ink, which began 5000 years ago in Egypt,
is the quest for the most contrast-rich colour with the best opacity.
Ink with black pigments comes closest to this ideal. Today,
nanotechnology can take credit for a “Super Black” that absorbs 99.6 per
cent of the light. Against such a background, the luminous outsize date
of the GRAND LANGE 1 “Lumen” would shine as brightly as the celestial
canopy above the Atacama Desert.
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Black and white: The camera in the background is reminiscent of the many
pioneering mechanical accomp-lishments that originated in Saxony. The
first camera for 35-mm perforated film was built here in 1932. It was
followed four years later by the world’s first single-lens reflex
camera. Exposure times as short as a thousandth of a second gave rise to
masterpieces in black-and-white photography. The digital display of the
model LANGE ZEITWERK also switches in fractions of a second with a
gentle click. A patented constant-force escapement makes this possible.
Click on the mouse wheel to see the large size ... ► BIG FOTO
Black on black: The history of ink, which began 5000 years ago in Egypt,
is the quest for the most contrast-rich colour with the best opacity.
Ink with black pigments comes closest to this ideal. Today,
nanotechnology can take credit for a “Super Black” that absorbs 99.6 per
cent of the light. Against such a background, the luminous outsize date
of the GRAND LANGE 1 “Lumen” would shine as brightly as the celestial
canopy above the Atacama Desert.
Click on the mouse wheel to see the large size ... ► BIG FOTO
Black wins: Beneath the black dial of the model GRAND LANGE 1 in a noble
white-gold case, the L095.2 manufacture calibre parades the ultimate in
artisanship. Just like the king in chess. Skilfully crafted by a master
of the trade, the figure was inspired by the filigreed woodturning
works by Egidius Lobenigk and Georg Wecker in the 16th century that can
still be admired in the Green Vault museum in Dresden.
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Contact information for the media
Arnd Einhorn, Director Press and PR
* Tel.:
+49 (0)35053 44 5505
* E-mail:
presse@lange-soehne.com
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