Showing posts with label FERDINAND BERTHOUD. Show all posts
Showing posts with label FERDINAND BERTHOUD. Show all posts

Saturday, March 24, 2018

FERDINAND BERTHOUD – Chronométrie FB 1.3 Platinum Edition


FERDINAND BERTHOUD – Chronométrie Tourbillon FB 1.3 Platinum & Ceramic 44 mm Limited Edition

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Born from an approach that is unique in the world of modern watchmaking, the new Chronomètre FERDINAND BERTHOUD FB 1.3 is the most exclusive to date, coming on the heels of the FB 1.1 chronometer that won the “Aiguille d’or” Grand Prix award at the 2016 Grand Prix d’Horlogerie de Genève, and the FB 1.2. Distinguished by its unique shape and complexity, the platinum case frames a partially openworked nickel silver dial featuring an understated and distinctive play on colours.

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Its movement is endowed with complications inspired by the 18th century Ferdinand Berthoud chronometers that served as reliable scientific instruments. Nonetheless, even terms such as “suspended tourbillon”, “constant force” or “fusee-and-chain transmission” cannot begin to express the true sophistication of this exceptional calibre.

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hilosophy driving Chronométrie FERDINAND BERTHOUD cannot be summed up as a tribute, a reproduction or even a reinterpretation, since it is in fact far more demanding. It embodies a contemporary translation of the quest for excellence pursued by the master horologist who was appointed clockmaker to the French King and the French Navy.

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The Chronomètre FERDINAND BERTHOUD FB 1 was the result of an innovative horological approach. Its design, its movement, its finishing and indeed everything to do with this tourbillon and constant force chronometer are highly specific and correspond to an uncompromising pursuit of excellence.

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Chronométrie FERDINAND BERTHOUD stemmed from a very special mind-set that breathed life into this project, powered by personal passion. That of Karl-Friedrich Scheufele, President of Chronométrie FERDINAND BERTHOUD, who since 2006 has been patiently putting together a major collection of objects relating to time measurement in the L.U.CEUM: the in-house museum based in Fleurier and showcasing a number of remarkable works by Ferdinand Berthoud.

A PHILOSOPHICAL APPROACH

Fired by respect for Ferdinand Berthoud, a native of the Val-de-Travers who went on to become a horologist, inventor and talented author, Karl-Friedrich Scheufele set up a team dedicated to offering connoisseurs the kind of chronometers that Ferdinand Berthoud might have created if he were still alive today.

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To support this approach, a specific development process was put in place by Karl-Friedrich Scheufele and his team. FERDINAND BERTHOUD chronometers comprise a wealth of aesthetic and technical details that call for authentic expertise and considerable know-how. The Chronomètre FERDINAND BERTHOUD 1.3 is thus naturally produced in a 50-piece limited numbered series.

A UNIQUE CASE DESIGN

The Chronomètre FERDINAND BERTHOUD FB 1.3 picks up all the aesthetic and technical features of the previous versions that were respectively crafted in 18-carat white gold (FB 1.1) and 18-carat rose gold (FB 1.2).

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The 44 mm-diameter case of this watch sits naturally and comfortably on the wrist. Composed of a 950 platinum cylinder housing the movement, it comprises two octagonal-shaped side pieces in polished platinum that contribute to its distinctive shape.

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The latter is inspired by an overhead view of a marine chronometer fitted inside its case: its round shape is cut through by the arms of the gimbal suspension that holds it in place when the ship is at sea. The grey ceramic lugs are secured to the case middle by two stylised titanium bolts marking the starting points of the hand-stitched double-sided alligator leather strap.

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The same ceramic is also present on the medallion adorning the knurled platinum crown. Finally, four ‘portholes’ cut out from the sides of the case provide a chance to admire the fusee-and-chain mechanism in action, as well as to allow light to flood through the movement.

GREY AND BLACK

Another opening in the satin-brushed nickel silver dial reveals the wheel driving the tourbillon carriage and the seconds wheel to which the central seconds hand is fitted, an unusual feature on a tourbillon.

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This slim black hand sweeps around a translucent sapphire railtrack circle around the rim of the dial. The hours and minutes are offset at 12 o’clock on a black lacquered subdial bearing white Arabic numerals and white gold cut-out hands.

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The same black shade also graces the chamfered edges of the dial openings. The nature and origin of the Chronomètre FB 1.3 are also indicated on this large dial that is engraved with the inscription “Chronomètre Val-de-Travers Suisse”. Far more than merely representing a signature or an appellation of origin, it proudly proclaims the model’s identity.

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A CHARACTERISTIC PILLAR-TYPE STRUCTURE

The way the FB-T.FC calibre is built is a truly unique phenomenon on the contemporary watchmaking scene. This hand-wound movement features 15 bridges and three half-bridges in nickel silver, framed by polished titanium pillars surrounding the mechanical organs.

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This construction is typical of 18th century marine chronometers, and enables the portholes of the Chronomètre FERDINAND BERTHOUD FB 1.3 to reveal the interior of the watch.

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Equally high aesthetic standards apply to the design of all components, and especially to the symmetrical visual balance characterising the various sets of components.

EQUALISING TORQUE

This movement is one of the rare examples to feature a fusee-and-chain transmission, which is the oldest historical solution developed to ensure constant force for the escapement. This system acts like an automatic gear box, with the torque delivered by the barrel varying according to the level of winding.

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When the movement is fully wound (53 hours of power reserve), the chain is entirely coiled around the small end of the fusee and the barrel spring is at maximum power.

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This force dwindles in the course of time, as the chain coils around the drum, moving from the small to the large end of the spindle-shaped fusee.

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The variation in the diameter of the fusee compensates for the reduction of the mainspring torque. The escapement thus receives constant energy, thereby equalling out the amplitude of the balance wheel and thereby enhancing the movement’s timekeeping precision.

THE QUEST FOR SLENDERNESS

The distinctive nature of the FB-T.FC lies in the fact that its barrel and fusee are reversed, upside down, and above all suspended – meaning they are held on one side only.

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This helps save a few precious millimetres and contributes to the overall slimness of the calibre. At just 7.96 mm thick, the movement powering the Chronomètre FERDINAND BERTHOUD FB 1.3. is the thinnest in its category and a patent has been duly filed for this construction.

SAFEGUARDING THE MOVEMENT

When the mainspring is associated with a fusee, the barrel drum turns in one direction while the spring is unwinding, and in the other during winding, thus serving to coil the chain.

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During the winding of this type of mechanism, the movement generally stops running. To counteract this effect, the FB-T.FC is equipped with a distinctively designed differential gear, enabling the balance-wheel to continue oscillating even during winding and thus preserving the movement’s precision timekeeping properties. Another patent has also been filed for this device.

GENTLE WINDING

The winding mechanism fitted with a pinion featuring cone-shaped toothing, together with a large-diameter knurled crown, enables smooth winding of the movement – a gentle motion that naturally enhances the quality of the rapport established between the watch and its owner, which plays an essential role in the case of a hand-wound watch.

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FORCE AND SECURITY MEASURES

As typically found on fusee-and-chain mechanisms, the barrel of Calibre FB-T.FC is equipped with a “Maltese Cross” stopwork device. The latter serves to limit the number of winding turns of the mainspring to around six, and to use only the most stable portion of this spring – thereby breaking free of its far ends. This device also servers as a buffer when the barrel is fully wound. At that point, the mainspring torque exerts a 3 kg force, which is considerable for components measuring just a few millimetres.

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To perfect the security of the movement, the engineers at Chronométrie FERDINAND BERTHOUD have endowed the crown with a dynamometric function serving to avoid any damage to the movement that might be caused by excessive winding.

SUSPENDED MOBILE POWER-RESERVE CONE

The highly sophisticated power-reserve indication device warranted a patent in its own right. A truncated cone moves up and down along an arbor connected to the barrel. This suspended cone is topped by a feeler spindle in the form of a mobile arm tipped with a watch jewel.

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Its position on the cone reflects the state of wind. This feeler spindle is in turn connected to the hand on the power-reserve display, which features graduations engraved on the baseplate and visible through a dial opening. This daring mechanism provides a highly accurate indication of the movement’s power reserve.

TOURBILLON WITH CENTRAL SECONDS

Teamed with the seconds wheel and pinion, the tourbillon of Calibre FB-T.FC comprises 67 components assembled within a titanium carriage measuring 16.55 mm in diameter, and fixed to an arrow-shaped steel arch whose tip points towards the space between the barrel and the fusee.

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A large variable-inertia balance-wheel is regulated and balanced by four gilded nickel silver inertia-blocks. It is coupled with a self-compensating regulating balance-spring in a stainless alloy, featuring a Phillips outer terminal curve (overcoil) manually shaped by the expert hands of the women serving as balance-spring fitters at Chronométrie FERDINAND BERTHOUD.

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To poise the escapement’s unbalance, two 18-carat gold inertia-blocks ensure the uniformity of the weights of this large-size tourbillon. This tourbillon contributes to earning Calibre FB-T.FC its chronometer title awarded by the Swiss Official Chronometer Testing Institute (COSC).

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One particular characteristic makes this tourbillon extremely distinctive: although it performs one rotation per minute, it does not display the seconds. The Chronomètre FERDINAND BERTHOUD FB 1.3 is one of the rare tourbillon models to have a central sweep-seconds hand. The latter is extremely long, slim and made of bronze, displaying the seconds with extreme accuracy and in a remarkably stable manner.

NOBLE MATERIALS

Within the traditional approach to watchmaking, construction and mechanical structure are inseparable from the choice of materials and the quality of the finishing. In this respect, the movement of the Chronomètre FERDINAND BERTHOUD FB 1.3 is in a league of its own.

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The bridges of Calibre FB-T.FC are made of non-treated German silver: a copper, zinc and nickel alloy that is particularly brilliant when polished, yet also extremely fragile.

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Any imperfection is irreparable and the part must be discarded. Nickel silver is also distinguished by its warm grey colour easily recognised by connoisseurs.

NOBLE FINISHING

The stainless steel arrow-shaped tourbillon bridge is decorated with the utmost care: the upper side is specular polished, the flanks are straight-grained, the angles are polished and the underside is circular-grained and smooth polished. All levels of the tourbillon carriage, with its titanium components, are entirely chamfered.

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Some surfaces are polished, others circular satin-brushed, sandblasted or smooth polished. The lever bridge is entirely chamfered, while its visible side features a specular-polished finish and its invisible side is straight-grained. Further up in the gear train, the power-reserve cone is mirror-polished across its inner surface, while the upper and undersides are circular satin-brushed.

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Two small steel plates are screwed to the cover of the barrel drum: one bears the watch’s limited-edition number, while the other is left blank to be engraved with the initials of its future owner.

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The 790-part chain measuring 285 mm long is also entirely hand-finished. The sides and studs are satin-brushed and the flat surfaces are polished.

NOBLE SKILLS

Whatever their position and their function, these component finishing operations are entirely done by hand using traditional tools, in the workshops of Chronométrie FERDINAND BERTHOUD.

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The quality control of this finishing is performed at a far higher degree of magnification than usual, under a 6x loupe. Under such intense scrutiny, no detail, however tiny, goes unnoticed. No error, imperfection or insufficiency is tolerated. Such is the horological excellence cultivated by Chronométrie FERDINAND BERTHOUD as part of its unfailing commitment to precision for explorers.

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This respect for watchmaking tradition, expressed in resolutely modern terms through FERDINAND BERTHOUD chronometers, will remain the core of future developments from the Maison.

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Technical Specifications

Model:  FERDINAND BERTHOUD FB 1.3

REF. FB 1.3, Platinum and Ceramic 50-piece limited and numbered edition

CASE
Bimetallic in platinum (PT 950) with anthracite grey ceramic lug elements
Total diameter: 44 mm
Thickness:  13 mm
Water resistance: 30 metres
Crown diameter: 9 mm
Numbered edition: 01/50 to 50/50
Dynamometric crown (uncoupling device) in platinum (PT 950) with anthracite grey ceramic medallion
Octagonal case fitted with four watertight portholes in glare-proofed sapphire crystal
Mounting bolts in titanium
Screw-in case-back with glare-proofed sapphire crystal
Domed, arched and glare-proofed sapphire crystal
DIAL
Vertical satin-finish dial made of solid nickel silver material
Cut-out centre and power reserve chamfered by hand and black rhodium-plated
Off-set hours and minutes in matte black-lacquered subdial, white Arabic numerals
Seconds scale in matte translucent sapphire surrounding the dial
Power-reserve scale engraved on the main plate “0_1/4_1/2_3/4_1”
Degree of autonomy indicated by an arrow pointing to the French words “HAUT” (high) and “BAS” (low)
Inscription: CHRONOMÈTRE VAL-DE-TRAVERS SUISSE
Hands
18-carat white gold dagger-shaped hours and minutes hands, open-worked and facetted
18-carat gold black nickel-plated dagger-shaped power-reserve hand with curved triangular tip
Bronze black nickel-plated central sweep-seconds hand
Functions
Hours, minutes, seconds and power reserve
MOVEMENT
Mechanical hand-wound Calibre FB-T.FC
Diameter: 35.50 mm
Thickness: 7.96 mm
Lines: 15 ¾
Jewels: 46
Frequency: 21,600 v/h (3 Hz)
Power reserve: 53 hours
  •  Tourbillon with fusee-and-chain transmission (constant-force device)
Suspended fusee with differential based winding device (PATENT PENDING)
Suspended barrel with Maltese cross stop work device (PATENT PENDING)
Suspended power reserve device with mobile cone (PATENT PENDING)
Suspended tourbillon with direct-drive seconds (PATENT PENDING)
  •  Variable-inertia balance-wheel integrating 2 balance weights sets (gold-plated nickel-silver material)
• Balance spring with hand-shaped Philips terminal curve (steel material)
• Swiss lever escapement
• Nickel-silver half-bridges supported by stylised titanium pillars
• Hand-finished to the highest standards

Parts: 1120 (incl. the chain)
Chain: 790 elements
Chain length: 285 mm
Half-bridges: 18
Pillars: 6
Tourbillon
Rotation: 1 /minute
Parts: 67
Carriage:  Ø 16.55 mm (titanium material)
Tourbillon carriage fixed by: Three polished titanium pillars.
Tourbillon carriage poised by: Two 18-carat gold studs
Balance wheel: Ø 12 mm (copper-beryllium)
Certification
Officially chronometer-certified by the COSC
STRAP AND BUCKLE
One-piece hand-sewn rolled-edge black alligator leather strap
(115 x 75 mm, buckle 20 mm) (Different sizes available on request)
Double-blade adjustable-length safety folding clasp in platinum (PT 950)
(Pin buckle available on request)

Limited edition exclusive 50 pieces

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Chronométrie FERDINAND BERTHOUD SA
Rue des Moulins 20
Case postale 128
2114 Fleurier, Val-de-Travers (NE)
Switzerland
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Thursday, June 29, 2017

FERDINAND BERTHOUD – The 18th century taste



















FERDINAND BERTHOUDThe 18th century taste 
for science and technology

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In the Age of Enlightenment, science and technology began opening up to new audiences. Members of the social elite took a passionate interest in scientific disciplines; they attended classes, witnessed experiments and acquired specialised books. Science thereby emerged from academia to become a social phenomenon and even a form of entertainment. Watchmaking was at the heart of this euphoria. As mechanical models of all kinds enthralled spectators and the market for books on horology began to develop, as watchmakers initiated the general public into their art and showcased their excellence.

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Ferdinand Berthoud, L’art de conduire et de régler les pendules et les montres: A l’usage de ceux qui n’ont aucune connoissance d’Horlogerie (The art of operating and adjusting clocks and watches for those who have no horological knowledge), Paris, published by the author, Rue de Harlay and by Michel Lambert, Bookseller, next to the Comédie Françoise, 1759, title page.


Science in the Age of Enlightenment, a social phenomenon

Few centuries have loved science as much as the Age of Enlightenment, which demonstrated unprecedented enthusiasm for technical and scientific phenomena. The era, as we know, was one of firm belief in progress of all kinds, and its “taste” for science and technology, as contemporaries referred to it, stemmed from this confidence. Science thus spilled out of the ivory towers of academia and became available to a broader audience, composed of curious observers and aficionados.

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Ferdinand Berthoud, L’art de conduire et de régler les pendules et les montres (reference in note 1) 1759, plate VII.


The latter belonged to high society, as both aristocrats and rich bourgeois from the world of trade and finance began to take an interest in a range of disciplines previously reserved for erudite scholars: physics, chemistry, natural history, and of course mechanics. The attention they devoted to scientific knowledge led them to set up full-fledged experimental laboratories in their homes, with some creating physics ‘cabinets’ or assembled natural history collections.

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The market for finely crafted scientific instruments was actively explored by wealthy purchasers who acquired microscopes, barometers, domestic planetariums and all kinds of devices combining scientific purpose with elegant design. Collecting scientific objects thus became a full-fledged trend, like science itself, henceforth considered to be part of the social sphere. 



Educating a new public

The taste for science and technology was also expressed by the emergence of scientific teaching. Public classes were set up in large cities and provinces. Mainly intended for adults, these free or fee-paying lessons were organised by institutions as well as private individuals. They aimed at providing instruction, as well as convincing and fascinating audiences.

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Ferdinand Berthoud, Essai sur l’horlogerie, dans lequel on traite de cet art relativement à l’usage civil, à l’astronomie et à la navigation, en établissant des principes confirmés par l’expérience (Essay on horology, in which its civilian use and its applications in astronomy and navigation are examined, while establishing principles confirmed by experiment), Paris, published by J. Cl. Jombert, Musier et Panckoucke (booksellers), 1763, title page.

The demonstrations conducted on town squares, at trade fairs or in private homes were all part of the same trend. Seeking to astonish while delighting the eyes, they often represented a form of showmanship. That is because fashionable science in the Age of Enlightenment did not aim to be serious, but rather to explain or justify phenomena by combining usefulness with a pleasing experience.

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George Adams, planetarium, circa 1770. History of Science Museum, Geneva (MHS inv. 818).  

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George Adams senior and junior were among the most important 18th century makers of scientific instruments. King George III ordered a number of models from them.

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From the 1740s onwards, physics stirred a great deal of enthusiasm thanks to the classes and demonstrations given by Jean-Antoine Nollet, also known as Abbé Nollet (1700-1770), who introduced high society to the mysteries of electricity. Chemistry was taught by Gabriel-François Rouelle (1703-1770), whose lessons were attended by Jean-Jacques Rousseau himself. Meanwhile, botanical science attracted public favour from the 1770s onwards, and just before the French Revolution, hot-air balloons began to attract crowds.


Horology at the confluence of skills

Mechanical knowledge, spearheaded by horology in the 18th century, did not lag behind amid this craze. Exhibitions of automatons, moving spheres, pendulums and complication watches enthralled spectators, dazzled by the evocative power of these objects and the technical expertise they encapsulated. In parallel, the progress made by horology in the field of tools also benefited other scientific realms of endeavour, notably the construction of scientific devices.

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George Adams, planetarium, circa 1770. History of Science Museum, Geneva (MHS inv. 818). 

At a time when worldly-wise, fashionable science in general demanded visual pleasure, considerable importance was also devoted to the beauty of mechanical objects. This focus on aesthetics, which imposed complex technical challenges on horologists and mechanical engineers, also enabled artisans to confirm the full breadth of their competencies: horology in particular lay at the confluence of these skills, as an artistic craft as well as a technical, even scientific profession.


 Technical books as promotional instruments

Horology also played an active part in the phenomenon of fashionable science by means of technical books, an area of the publishing market that experienced substantial growth between the 1720s and 1780s. Books were indeed a powerful instrument of popularisation which, like the various classes and demonstrations, were a response to the demand for technical instruction among the elite. Some horologists from the Age of Enlightenment accordingly began to share their thoughts on the field in writing, starting with Antoine Thiout (1692-1767), whose Traité de l’horlogerie, méchanique et pratique (Treatise on mechanical and practical horology) was published in 1740, as well as Jean-André Lepaute (1720-1789), who penned a Traité d’horlogerie (Horology treatise) that came out in 1755.

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Attributed to Jean-Antoine Nollet, compound microscope and its travel case, circa 1740. History of Science Museum, Geneva (MHS, inv. 149). The microscope probably belonged to famous Genevan naturalist and philosopher Charles Bonnet, and to his nephew, Horace-Bénédicte de Saussure.

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Their writings cannot be summed up as mere manuals destined to initiate the public into the art of horology. Through describing various models, their components and their operating principles, they were expounding upon horological expertise itself. Technical books thus became crucial promotional tools, whose authors often dedicated them to high-ranking members of the aristocracy so as to ensure the latters’ protection. These treatises advocated an exceptional art that was both beautiful and useful, while highlighting the knowledge of those practicing it.

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 Ferdinand Berthoud, skeletonised table clock on its marble base, circa 1775.

Ferdinand Berthoud was supremely aware of the value of this means of communication that secured the reputation of artists along with the favours of a wealthy clientele. This conviction incited him to write the L’art de conduire et de régler les pendules et les montres (The art of operating and adjusting clocks and watches), published in 1759; and his Essai sur l’horlogerie (Essay on Horology), 1763, which was intended for artisans, but above all for curious individual, enthusiasts and connoisseurs.

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 Ferdinand Berthoud, detail of a table clock (reference in note 4).

He displayed an impressive capacity for popularising concepts, along with a remarkable writing style, thereby setting himself apart from his predecessors. He also stood out by his independence: at a time when he had not yet been awarded the title of “Horloger Mécanicien du Roi et de la Marine” (Clockmaker-Mechanic by appointment to the King and Navy), Berthoud took the independent decision to share his knowledge by writing in his own name.

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 1727-1807
Horologist-mechanic by appointment to the King and the Navy
1727                              Ferdinand Berthoud is born on March 18 to a distinguished family of clockmakers at Plancemont in the Val-de-Travers, now in Switzerland’s canton of Neuchâtel.
1745                              At the age of 18, Ferdinand Berthoud settles in Paris to study clockmaking.
1753                              A decree of King Louis XV’s council awards the 26-year-old Ferdinand Berthoud the title of Master Clockmaker.
1755                              Ferdinand Berthoud writes a number of reference papers for the Encyclopédie méthodique edited by Diderot (1713-1784) and Alembert (1717-1783).
1763                              Publication of a two-volume horological treatise, Essai sur l’horlogerie
1764                             Ferdinand Berthoud is elected to the Royal Society in London as an “associate overseas member” thanks to his masterpieces and his publications about watchmaking
1768                             The marine chronometers N° 6 and N° 8 were proved to be successful onboard the corvette “L’Isis” during a 18-month journey from Rochefort to Santo Domingo. The marine chronometer N°8 alloed to determine the real position on the map of the boat and calculate the longitude within half a degree thanks to astronomical observations.
1770                              After successful sea trials of the marine chronometers N° 6 and N° 8, Ferdinand Berthoud is commissioned as Horologist-mechanic to the King and the Navy, and receives a royal command for 20 marine chronometers for the French admiralty’s numerous charting expeditions and marine surveys of the late 18th century.
1802                             Ferdinand Berthoud publishes a major work: Histoire de la mesure du temps par les horloges, a history of time measurement by clocks that demonstrates his immense knowledge of horological mechanics.
1804                             On July 17, Napoleon I makes Ferdinand Berthoud a Knight of the Legion of Honour as a member of the Institut de France. 
1807                             Ferdinand Berthoud publishes his last work, Supplément au Traité des montres à Longitudes
                                      On June 20, 1807, Ferdinand Berthoud dies at the age of 80 in Groslay (France)
                                      His nephews, Pierre-Louis Berthoud (1754-1813) and Charles-Auguste Berthoud (1798-1876) successfully carry on the work of their uncle to earn renown as chronometer-makers. 

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Chronométrie FERDINAND BERTHOUD SA
Rue des Moulins 20
Case postale 128
2114 Fleurier, Val-de-Travers (NE)
Switzerland
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www.facebook.com - Ferdinand Berthoud 
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www.FerdinandBerthoud.ch